Wishful thinking for Downtown Albuquerque.
No moon this morning. It was hiding behind the clouds at dawn.
I attended a meeting about a conservation project in north Corrales where runoff and treated wastewater from Rio Rancho dumps into the Rio Grande. The Nature Conservancy is working with various agencies to use the runoff and wastewater to retore the area into a wetland. Therefore, I did not get out to say hi to the owls and cranes tonight.
The clouds over the Sandias this morning made beautiful cloudscapes, some with rainbow colors made by the rising sun reflecting off ice crystals in the thin clouds. Other clouds cast shadows as the sun rose above them.
Sasha
Silver
Loki
Spunk
Gwendolyn
Intermission
Marble
Ice crystals reflecting colors in the clouds.
Glenda
Moon in the western sky before sunrise.
Moon behind Mama Owl before sunrise
Mama Owl at sundown
Daddy Owl watching the birds flit around below him at sunset.
Mama Owl hopped over to another branch so I could get a shot of her from the levee after sunset.
The clouds were still hanging low behind the Sandias when the first full moon of 2021 rose cost to 6:00 pm tonight. Between the brightness of the full moon and the clouds, my lenses had trouble finding a sharp edge to get a sharp focus. I miss the old days when I could dial a lens to infinity and the moon would be in focus. I didn’t have to deal with finding edges in bright objects to focus on.
Mama Owl sunny side up
Uncropped photo taken from the irrigation ditch bank right under the owls just before sunset.
Cropped photo of Owls taken after sunset from the levee near the Tangle Heart tree.
Through the Mist Darkly
Geese Nebula
The Wave
Through the Tangle Heart Darkly
Crane Borealis
Owls
Moon @ 99.5% Waxing Gibbous
Murder over the bosque
Lavinia asked if I had used a telescope to photograph the moon last night. Lavinia never lets me down on being observant and asking questions when something seems different like a whole lot of detail in the moon photo. As I answered her, I did not use a telescope, I used a 400mm lens that is equivalent to a 640mm lens on my Canon 7D Mark II body. I have been considering getting a long telephoto lens for quite some time.
I was originally looking at the Canon 100-400mm lens, which is one of Canon’s best telephoto zoom lenses for mere mortal photographers, such as myself. However, the 100-400mm lens is ƒ/4.5 to ƒ/5.6, which is a little slow for as much low light photography as I do. I really needed a faster telephoto lens. I seriously considered both the Canon 400mm ƒ/2.8 and the Canon 300mm ƒ/2.8 lenses. The problem with those lenses for me is their weight. The Canon 400mm ƒ/2.8 weighs in at 12 pounds, and the 300mm ƒ/2.8 weighs 6 pounds, 1/2 the weight of the 400mm ƒ/2.8, but still a heavy lens.
I ended up compromising on speed for lighter weight and bought a 400mm ƒ/4.0 DO lens with Refractive Optics, which enables Canon to put a 400mm ƒ/4.0 lens in the same body as the 300mm ƒ/2.8 lens, shaving 2 pounds off the weight in the process. At 4 pounds, the 400mm ƒ/4.0 DO is easy to handle, and fast enough to get decent images hand held in low light. In the photos of the owls below, we could only see outlines of the owls with our bare eyes like in the first photo, but not nearly as close up. The new lens is able to focus on the owls in relative darkness, through the branches and get an amazing amount of detail.
Spunk loves my new lens
Preening
Spunk’s a lens hugger
Intermission photographed using a Fuji XE-1 with 27mm ƒ/2.8 lens
“Who are you calling a ‘lens hugger?’ Stupid Paparazzo!”
RAW image of the owls before I cropped the image and adjusted the exposure, contrast, color balance, etc.
“Oh my! The paparazzo found us again.”
Mirroring
The streak photographed using a Canon 5Ds with a Canon 70-200mm ƒ/4.0 lens
A little over half a moon on 01/21/21
Sunset on the Sandias with cranes in the foreground from Southbend.
Just after sunrise one of the cranes made quite a show of dancing for another crane. There are 21 photos in the sequence with three intermissions. At the end of the post, I included an animated GIF that shows the crane dance in motion.
Quarter moon at sunset.
Daddy Owl slept through the show.
“How do you like my impersonation of a Crane?” Oh, Spunk! I think you look more like Chupacabra. “What do you know stupid Paparazzo?”
“We think Spunk looks a lot like a Crane.” Who asked you Daddy and Mama Owls?
Sandhill Cranes landing at sunset. Another colorful sunset. The sliver moon was just above the trees after sunset.
“It looks like the wind is blowing in a nice afterglow tonight.” Wise words Daddy Owl.
Crows on the crow highway.
Ducks basking in the afterglow.
Cranes, ducks, and geese enjoying the glow.
More crows heading south.
Sandias catching the afterglow long after sundown.
Clouds from the bosque view.
Surprise! I’ll bet you thought my new Ax was going to be a new guitar? As you can see below it’s a real Ax for chopping down trees. Laurie asked me why I got a chopping ax instead of a splitting ax? It’s pretty simple: like a Lumberjack, I chop down trees.
My new ax is made by Husqvarna, and it’s a solid, heavy-duty ax.
Mama Owl and Daddy Owl are still hanging in the tree across the irrigation ditch from where they have nested for the past four years.
Like a Lumberjack, I felled two elm trees in a matter of minutes with my new ax.
Crane looking for a morsel before going to bed.
Remember Monty Python’s The Lumberjack Song?
Gwendolyn gargoyling
Glenda and Gwendolyn have full run of the house, catio, and deck now. Teagan had cast them as flying monkeys in a kitty fantasy, and she was right. The kittens are like a couple of flying monkeys. They have become very difficult to photograph because they won’t hold still if they are out of the dark kitten caves they have made for themselves in the laundry room. The big kitties have finally accepted the kittens and everyone is getting along reasonably well. The big kitties have become much more playful under the influence of the kittens. Of course, the big cats are also teaching the kittens many of their bad habits.
Cranes coming in for landing with crows in the background.
Marble
Gwendolyn
We’re just dropping in the see what condition all the conditions are in.
Spunk in the fuzzy hammock I replaced the last burlap hammock with.
The murder of Crows continues.
“You didn’t include me in the title?” Nope! You’re the intermission.
Cranes cavorting
Glenda in the dark.
Cranes at sunset
Gwendolyn: “What cream?”
Glenda
Gwendolyn: “La Llorona? What were you saying about La Llorona drowning kittens?” Children. She drowns children.
Glenda: “Kittens are children too!”
Off Center & Not Even 