For the first evening that we are trying to save the daylight, which, by the way, is not endangered out here, the Painter went a little wild jamming with the clouds.
Venus and Mars showed up at 6:30 am, the time formerly known as 5:30 am.
Daddy Owl enjoying the colors
A few days before Christmas, Tristan asked if I had any extra guitar cases for acoustic guitars. I had a gig bag I told her she could have. The next day she said she didn’t need the gig bag after all because the guitar they were going to give to Craig’s nephew for Christmas was broken. I told her I’d donate a guitar for them to give him for Christmas. Of course, that meant I needed to replace the guitar. A few weeks before Christmas, Marina “adopted” a wolf for us at the Wolf Conservation Center in New York as a gift. His name is Mosby. When I was looking for a replacement guitar I remembered that Luna made a Wolf guitar. I found a Luna Wolf Guitar and ordered it.
The Wolf Conservation Center sent a video of Mosby howling with two other wolves who are off-camera. I recorded music to Mosby’s howling in the video yesterday using a jazz guitar and my 7-string guitar for the rhythm guitars. As luck has it, my Luna Wolf Guitar came in today, and the full Wolf Moon rose tonight. When I got home from work, I recorded a track with the wolf guitar and replaced the jazz guitar track with the track I played on the Wolf guitar. Then I went out to the river and photographed the Wolf Moon rising.
The Lobo Lunatic playing the Luna Wolf Guitar with the Wolf Moon rising behind him.
A full view of the Luna Wolf Guitar. It has Rosewood back and sides and the collage on the top is made with Rosewood, Zebrawood, Paduk, Bird’s Eye Maple, Koa, and Flame Maple. The neck markers are the moon phases with the full moon at the 12th fret. It has Fishman electronics and a built-in tuner. It’s a really beautiful guitar. It plays well and sounds great.
Sunset
Socratis at Oannes has been posting songs about cars. I keep commenting: “I had that car! Oh, I had that car, too. You are not going to believe this, but I had one of those cars, also!” From Oannes I was inspired to put together a spreadsheet of all the cars that have been in the family, and I had driven since I got my driver’s license at age 15. We still have some of the old cars that were bought new. The stats break down as follows: 33 cars over 48 years. 25 Model years from 1955 to 2017. 14 different carmakers. 26 different models in 10 different colors with green, yellow, brown, and red the predominant four colors. We’ve had more Mazdas than other cars with six. Volkswagon came in second with five. We still have two Mazdas, a Volkswagon, a Ford pickup, and a Datsun 280ZX on the property.
I was also inspired to write and record a Car Song about some of the cars that stood out over the years. I played the bass lines on my 5-string, multi-scale bass. I played my black Strat I built a few years ago for the rhythm guitar, and I played my 7-string, multi-scale guitar for the guitar solo (the song is above, lyrics at the end of the post).
Marble Sinking
Sunrise
Car Song
By Timothy Price
This is a story about a few of the many cars that graced my life
My dad, he was a Rambler man
1964 classic I learned to drive
Three on the tree with no air
Bench seats without belts
The ’55 Cadillac was a tank with tits
Big silver bumper boobs oh they couldn’t be missed
Slushbox tranny liked to bump and grind
Lumbered down the road in style
1960 Rambler in Pepto Bismol pink
Nearly cost me my life and limbs
A boy driving a pink car in 1975
Was worthy of a beating, so the other boys thought
[Chorus]
Thirty-three cars have graced my life
Over two score and 8 years
From green to pink to yellow to blue
Red sports cars are the final two
’66 American in canary yellow
The cubic inches under the hood wouldn’t do
I cut and bent to retrofit a power plant
I lost traction, tickets, I paid for my sins
’65 Corvair. Yep that’s the one
It was “Unsafe At Any Speed”
That car was fun to drive I never rolled it though
Not to say I didn’t try.
The Volkswagen Thing was a Thing of wonder
As I wandered from here to yonder
Weirdly shaped, like a Jerrycan on wheels
It did nothing for my sex appeal
[Bridge]
Cadillac, Chevrolet, Rambler, and Ford
Volkswagens, Honda, Triumph, were never bored
International, AMC, Renault, and a Datsun
Dodge, Kia, and best of all is always Mazda
Eldorado, Americans, a Classic, and a Bus
Travelalls, beetles, and a Triumph GT6 Plus
A Sun Bug, Pickups, Hornet, and a Le Car
Taurus, Rio Cinco, N600, and a Corvair
Granada, Dart, ZX, Five, RX, and a Thing
323, Speed 3, my Miata is really mean
[Guitar Solo]
’79 Renault Le Car was one of my
All-time favorite cars
Smooth ride, canvas-covered sunroof
That got Swiss-cheesed in a hailstorm
The RX-8 was as exotic as I got
A Wankel whining under the hood
Demanded high revs lots of speed
Suicide door, it seated four
My MX-5 is beautiful to drive
Small, responsive, quick, and sassy
A hot profile and racing stripe
It’s total fun and fantasy
I ordered an Ibanez multi-scale 5-string bass in the middle of August. I just got it last week. I was thinking the fanned frets on the fingerboard would help my poor arthritic fingers. Why not get a fretless bass, you might ask? I did consider that, but I like having frets. I’ve been practicing with it and I finally got time to record two new songs this weekend. The one I recorded today I’m calling “The Bass” and I put it together with video of Jake chasing a stick and rolling in the dirt. It’s a jazzy piece. The other song I named “Black Widow” is very hard and dark. I don’t have a video for it unless I do a visualization. I’ll post it at another time after I figure out if I’ll at video or go with the audio.
The multi-scale fingerboard is a lot easier for me to play and my fingers and hands are not hurting or swollen beyond normal after hours of playing and recording. I played the Ibanez multi-scale 7-string guitar on the recording.
…GREEN CHILE!!!
I got our first sack of green chiles for the 2021 green chile season at Wagner’s Farm this afternoon. Anyone who has followed this blog for any time knows we eat green chile on almost everything. Chile is addictive and goes well with anything as you can see from the drinks above. I wrote and recorded The Capsiacin Club song in early 2019. I acquired the guitar and bass that I put the chile skins on at the same time. Ron Blood recorded a new bass line for the song and added his touches on mixing and mastering the recording. I made and first published the video in September 2019.
Flaming. Roasting. Roasted.
Pealing. Pealed. Stemmed and de-seeded.
Bagged. Boxed. In the freezer with rats.
The thunderheads building up in the west were taking after Resa’s Tree.
Our neighbor’s goat had a goatlet (kid). The photos in the gallery below were taken this afternoon. The goatlet was 26 hours old when I took the photos. Click on a photo in the gallery for a slideshow.
Laurie holding the goatlet shows how little or big it is for a 26 hour old goatlet
The above video is of thunderheads dancing. Turn up the volume and enjoy the show.
The painter was in a lavender/gray, blue and white mood for the sunset tonight. Looking west.
Sunset looking east.
Spunk relaxing in on the deck rail this afternoon.
Two-Stepping To Nowhere
Music: Ron Blood & Joel Lewis. Arrangement: Joel Lewis. Rhythm Guitar: Joel Lewis. 2nd Guitar: Timothy Price. Bass: Timothy Price. Drums: Mark Simma.
Spunk: “NOOooooo! Not that stupid country song!!!”
Two-Stepping To Nowhere is a collaboration between Ron Blood, Joel Lewis, Mark Simma, and I. Ron sent Joel tracks with a bass line and Mark Simma’s drum track. Joel wanted to make a country song, so he slowed it down, which messed up the bass line, so he took out the bass. He recorded the rhythm tracks with the drum tracks playing a semi-hollow body Tele, if I remember correctly, and sent the song to Ron and me. I listened to the song, lyrics popped into my head, I wrote them down, went into the studio, added a vocal track, and sent the song with vocals back to Joel and Ron a couple of hours after Joel had sent the rhythm guitar and drum tracks. Later I added the twangy 2nd guitar playing my Black Tele, and a new bass line. It’s a really silly song, as you can see by Spunk’s reaction above. But it’s fun and funny. The lyrics are at the bottom of the post if you want to follow along.
Spunk taking over my lunch back before I got it packed this morning.
Spunk: “And YOU thing cat herding is really tough!”
Spunk: “Oh Gwedolyn! Did you really need to break wind?”
Silver planning his attack for after I turn out the lights.
A little before sunset tonight.
Two-Stepping To Nowhere
Music: Ron Blood & Joel Lewis
Arrangement: Joel Lewis
Rhythm Guitar: Joel Lewis
2nd Guitar: Timothy Price
Bass: Timothy Price
Drums: Mark Simma
I barfed on my cat today
He was pissed. It’s always the other way
I dragged myself out of bed
Stepped on cats trying to get them all fed
The life of a cat herder is really tough
No one ever seems to get enough
Chorus
It’s like trying to glide
Across the dance floor
When all you do is a slide
Two-Steppin’ to nowhere
I got myself made up and dandy
Going to go dancing and find some candy
A lovely chica got me out on the floor
She looked real nice she knew the score
But it was just my dumb luck
I drove my car, I had left my viagra in the pickup truck
Chorus
It’s like trying to glide
Across the dance floor
When all you do is a slide
Two-Steppin’ to nowhere
Out in the truck to do some shoppin’
The County station was down,
I had to listen to a dude named Chopin
It’s hard on a fella and his imaging
When the country chicas could hear
The wussy music he was listening to
Chorus
It’s like trying to glide
Across the dance floor
When all you do is a slide
Two-Steppin’ to nowhere
I barfed on my cat today
He was pissed. It’s always the other way
I dragged myself out of bed
Stepped on cats trying to get them all fed
The life of a cat herder is really tough
No one ever seems
No one ever seems
No one ever seems to get enough
One of the parodies I never published is called The Sound of Coffee Grinding based on The Sound of Silence by Simon & Garfunkle. I don’t remember what inspired the parody. I was obviously grinding coffee, which I do every day. Twisted minds never rest and the strangest ideas for parodies are always presenting themselves.
While writing the lyrics I imagined a hyper-version of the song like when you are wound up on coffee. The first recording I did was a hyper arrangement loosely based on the original music. Since the idea for the parody was a bit out there, to begin with, the hyper version ended up being a bit echoey.
I tried singing my parody lyrics to the traditional music for The Sound of Silence. It was really bloody awful. I asked Teagan at Teagan’s Books if she wanted to take a stab at singing The Sound of Coffee Grinding. I sent her the music and she did a wonderful take on the traditional version of the music. Teagan imaged that I make a back and forth duet out of it, but my vocals didn’t really work, and far as I am concerned my voice detracts from Teagan’s beautiful, sultry voice.
She didn’t want to attempt the hyper version. I can’t blame her. There is only so much of a twisted mind’s parody a sane person is willing to tackle.
I’ve included both versions below. The first is the traditional version with Teagan’s Vocals. The second is the hyper version with my vocals.
The Sound of Coffee Grinding (Traditional)
The Sound of Coffee Grinding (Hyper)
Marble taking a blue break.
Off Center & Not Even 