¡Nada!

Yesterday we had clouds running amok through the skies with our painter scrambling to keep her colors from blowing away with the winds. Today ¡Nada! Not a cloud in the sky. However, our ever clever painter brushed the Sandias with pink, then she threw a spray of ocher that turned into lavender, purples, and blues as it spread from the horizon into the sky.

Our painter picks her colors from sunbursts.

Mama Owl watches as our painter makes her magic.

Quick Change Skies

Looking west @ 5:31 pm February 10, 2021

Mama Owl @ 4:23 pm February 10, 2021

Looking south @ 5:42 pm February 10, 2021

Cranes @ 5:44 pm February 10, 2021

Looking east @ 5:45 pm February 10, 2021

pTerodactyl with ducks doing vespers prayers. 5:53 pm February 10, 2021

Looking west @ 6:01 pm February 10, 2021

Divine Dumpster

Wishful thinking for Downtown Albuquerque.

No moon this morning. It was hiding behind the clouds at dawn.

I attended a meeting about a conservation project in north Corrales where runoff and treated wastewater from Rio Rancho dumps into the Rio Grande. The Nature Conservancy is working with various agencies to use the runoff and wastewater to retore the area into a wetland. Therefore, I did not get out to say hi to the owls and cranes tonight.

Of Cloudscapes and Cats

The clouds over the Sandias this morning made beautiful cloudscapes, some with rainbow colors made by the rising sun reflecting off ice crystals in the thin clouds. Other clouds cast shadows as the sun rose above them.

Sasha

Silver

Loki

Spunk

Gwendolyn

Intermission

Marble

Ice crystals reflecting colors in the clouds.

Glenda

Moon in the western sky before sunrise.

Moon behind Mama Owl before sunrise

Mama Owl at sundown

Daddy Owl watching the birds flit around below him at sunset.

Mama Owl hopped over to another branch so I could get a shot of her from the levee after sunset.

First Full Moon of 2021

The clouds were still hanging low behind the Sandias when the first full moon of 2021 rose cost to 6:00 pm tonight. Between the brightness of the full moon and the clouds, my lenses had trouble finding a sharp edge to get a sharp focus. I miss the old days when I could dial a lens to infinity and the moon would be in focus. I didn’t have to deal with finding edges in bright objects to focus on.

Mama Owl sunny side up

Uncropped photo taken from the irrigation ditch bank right under the owls just before sunset.

Cropped photo of Owls taken after sunset from the levee near the Tangle Heart tree.

Spunk Approves

Murder over the bosque

Lavinia asked if I had used a telescope to photograph the moon last night. Lavinia never lets me down on being observant and asking questions when something seems different like a whole lot of detail in the moon photo. As I answered her, I did not use a telescope, I used a 400mm lens that is equivalent to a 640mm lens on my Canon 7D Mark II body. I have been considering getting a long telephoto lens for quite some time.

I was originally looking at the Canon 100-400mm lens, which is one of Canon’s best telephoto zoom lenses for mere mortal photographers, such as myself. However, the 100-400mm lens is ƒ/4.5 to ƒ/5.6, which is a little slow for as much low light photography as I do. I really needed a faster telephoto lens. I seriously considered both the Canon 400mm ƒ/2.8 and the Canon 300mm ƒ/2.8 lenses. The problem with those lenses for me is their weight. The Canon 400mm ƒ/2.8 weighs in at 12 pounds, and the 300mm ƒ/2.8 weighs 6 pounds, 1/2 the weight of the 400mm ƒ/2.8, but still a heavy lens.

I ended up compromising on speed for lighter weight and bought a 400mm ƒ/4.0 DO lens with Refractive Optics, which enables Canon to put a 400mm ƒ/4.0 lens in the same body as the 300mm ƒ/2.8 lens, shaving 2 pounds off the weight in the process. At 4 pounds, the 400mm ƒ/4.0 DO is easy to handle, and fast enough to get decent images hand held in low light. In the photos of the owls below, we could only see outlines of the owls with our bare eyes like in the first photo, but not nearly as close up. The new lens is able to focus on the owls in relative darkness, through the branches and get an amazing amount of detail.

Spunk loves my new lens

Preening

Spunk’s a lens hugger

Intermission photographed using a Fuji XE-1 with 27mm ƒ/2.8 lens

“Who are you calling a ‘lens hugger?’ Stupid Paparazzo!”

RAW image of the owls before I cropped the image and adjusted the exposure, contrast, color balance, etc.

“Oh my! The paparazzo found us again.”

Mirroring

The streak photographed using a Canon 5Ds with a Canon 70-200mm ƒ/4.0 lens

A little over half a moon on 01/21/21