Socratis at Oannes has been posting songs about cars. I keep commenting: “I had that car! Oh, I had that car, too. You are not going to believe this, but I had one of those cars, also!” From Oannes I was inspired to put together a spreadsheet of all the cars that have been in the family, and I had driven since I got my driver’s license at age 15. We still have some of the old cars that were bought new. The stats break down as follows: 33 cars over 48 years. 25 Model years from 1955 to 2017. 14 different carmakers. 26 different models in 10 different colors with green, yellow, brown, and red the predominant four colors. We’ve had more Mazdas than other cars with six. Volkswagon came in second with five. We still have two Mazdas, a Volkswagon, a Ford pickup, and a Datsun 280ZX on the property.
I was also inspired to write and record a Car Song about some of the cars that stood out over the years. I played the bass lines on my 5-string, multi-scale bass. I played my black Strat I built a few years ago for the rhythm guitar, and I played my 7-string, multi-scale guitar for the guitar solo (the song is above, lyrics at the end of the post).
Marble Sinking
Sunrise
Car Song By Timothy Price
This is a story about a few of the many cars that graced my life
My dad, he was a Rambler man 1964 classic I learned to drive Three on the tree with no air Bench seats without belts
The ’55 Cadillac was a tank with tits Big silver bumper boobs oh they couldn’t be missed Slushbox tranny liked to bump and grind Lumbered down the road in style
1960 Rambler in Pepto Bismol pink Nearly cost me my life and limbs A boy driving a pink car in 1975 Was worthy of a beating, so the other boys thought
[Chorus] Thirty-three cars have graced my life Over two score and 8 years From green to pink to yellow to blue Red sports cars are the final two
’66 American in canary yellow The cubic inches under the hood wouldn’t do I cut and bent to retrofit a power plant I lost traction, tickets, I paid for my sins
’65 Corvair. Yep that’s the one It was “Unsafe At Any Speed” That car was fun to drive I never rolled it though Not to say I didn’t try.
The Volkswagen Thing was a Thing of wonder As I wandered from here to yonder Weirdly shaped, like a Jerrycan on wheels It did nothing for my sex appeal
[Bridge] Cadillac, Chevrolet, Rambler, and Ford Volkswagens, Honda, Triumph, were never bored International, AMC, Renault, and a Datsun Dodge, Kia, and best of all is always Mazda
Eldorado, Americans, a Classic, and a Bus Travelalls, beetles, and a Triumph GT6 Plus A Sun Bug, Pickups, Hornet, and a Le Car Taurus, Rio Cinco, N600, and a Corvair Granada, Dart, ZX, Five, RX, and a Thing 323, Speed 3, my Miata is really mean
[Guitar Solo]
’79 Renault Le Car was one of my All-time favorite cars Smooth ride, canvas-covered sunroof That got Swiss-cheesed in a hailstorm
The RX-8 was as exotic as I got A Wankel whining under the hood Demanded high revs lots of speed Suicide door, it seated four
My MX-5 is beautiful to drive Small, responsive, quick, and sassy A hot profile and racing stripe It’s total fun and fantasy
On her blue gessoed canvas She brushes swaths of red Splashes on the yellow Orange from the mix A lavender wash hosts White stripes of clouds from trails Her colors silhouetting trees Geese and cranes flying free
On this date 6 years ago, I posted the photo essay below on my T&L Photos website that was my final project for one of my photography classes at the university back in 1981. The introduction and concluding photos in the series were typeset on paper by a local typesetter, I photographed the pages with my 4X5 view camera and reversed processed the negatives into positives so when I printed the sheet film I got white letters on a black background. I made each photo with a combination of long exposures and manually triggered flashes to capture movement with some clarity in the images. I had to carefully calculate each exposure and plan the details of each shot to successfully execute each photograph because I could not preview each shot before I processed the negatives. Only one 4X5 negative was exposed for each print in this series. The project was a major undertaking.
I noticed the writing was not my best back then. I didn’t have a personal computer, so I didn’t write nearly as much as I do today. These days, I would never use “Sometimes I venture into the deepest shafts of my mind, into a room…” How clunky is that? I would change it to something like “Sometimes I wandered through the deepest recesses of my twisted mind, into a room…”
Click on the gallery to see the photos larger.
I would rewrite the conclusion, as well:
“As the images behind the window faded, I turned to find my way back to reality. Teetering on the edge of consciousness, I looked back to see my shadow hanging in the window, I was guilty of the execution of photography.”