Here’s an audio only, extended version of Red Cape on the Edge of the Salton Sea, which is a collaboration between me (vocals, rhythm guitar and percussion tracks), Ron Blood (bass guitar), and Joel Lewis (lead guitar). Ron came up with a super cool bass line, but Joel is the real star of this version.
This was Joel’s first foray into remote collaboration on a song, and recording. I was on the phone with him when he recorded the lead track (Joel lives in Las Vegas, NV), and he did it in one take (I could hear him playing through his monitors as he recorded it), and then he emailed me the mix-down while we were still on the phone so I could see how the mix came out. It was really quite amazing — he improvised the entire track.
Joel and I grew up together, and we both started playing guitar when we were teenagers. Joel joined the Navy when we were in our late teens, and he was stationed in various places around the world. We had been out of touch with each other for 40 years.
Ron started playing bass at the same time that Joel and I started playing guitar. Joel and Ron had stayed in touch over the years, and Joel got the three of us together while he was in Albuquerque last year. All three of us have done vastly different things over the years, however, we kept up with music, and we all three ended up working in computers and information technology.
I have a series of photos taken in twilight at the Salton Sea that I was trying to decide how I wanted to present them. I finally decided to write a song and create a music video with the images. I took advantage of this wet, rainy, muddy Black Friday to record the song and put the video together.
Red Cape on the Edge of the Salton Sea Lyrics and Music by Timothy Price
Standing on the edge Of the Salton Sea Dancing in the darkness Destiny
Wrapped in a cloak Releasing red Wakening spirits From the salty beds
Twilight glows Off the shore Cape swirls Disturbed forlorn
Ceremony’s twilight Apparitions conjured Silhouettes dancing in the night Dusk turns on A golden somber Silence calls Ghosts asunder
My latest song is about the ever present use of acronyms in our never ending search of ways to communicate with as little speaking, typing, mousing, tapping, clicking and swiping as possible. The meanings of the acronyms are in the video and at the bottom of the post.
Acronymphomania Lyrics and Music by Timothy Price
I’m without the gift of tongues Speak in letters One by one
Nouns and verbs Cloistered like nuns Instead of words Acronymphomania
AAMOF WYSIWYG TOPCA in TAR JBOD ISAR Communication’s FUBAR
Archnymphomaniacs HAVE NO VERBS USE NO phrases
Archnymphomaniacs Puzzled looks Empty gazes
Monosyllabic KISS KWIM BLOB IOW Like a SLOB
AYSOS MIA? OMI BAD BUN SOTD BIA ISO TIA Achronymphomania
FWIW IMHO LOOK OUT FOR THE WORS Communication’s Syllabic VERSE
Archnymphomaniacs HAVE NO VERBS USE NO phrases
Archnymphomaniacs Puzzled looks Empty gazes
AAMOF WYSIWYG TOPCA in TAR JBOD ISAR Communication’s FUBAR
Since many of the meanings of the acronyms go by very quickly in the video, below are the lyrics with the meanings of each acronym:
Acronymphomania Lyrics and Music by Timothy Price
I’m without the gift of tongues Speak in letters One by one
Nouns and verbs Cloistered like nuns Instead of words Acronymphomania
AAMOF WYSIWYG (As A Matter Of Fact What You See Is What You Get) TOPCA (Till Our Paths Cross Again) in TAR (The Amazing Race) JBOD ISAR (Just a bunch of disks Information Storage And Retrieval) Communication’s FUBAR
Archnymphomaniacs HAVE NO VERBS (Haptic Audio Visual Environments Natural Orbital Ventricular Endocardial Right Bifocal Stimulation) USE NO (User Support Environment Neurotic Obsession) phrases
Archnymphomaniacs Puzzled looks Empty gazes
Monosyllabic KISS KWIM BLOB (Keep It Simple Stupid. Know What I Mean? Binary Large Object!) IOW (in other words) Like a SLOB (Super Lazy Organic Blogger)
AYSOS MIA? (Are You Stupid Or Something? Missing In Action!) OMI BAD BUN (Oocyte Maturation Inhibitor Bipolar Affective Disorder Bike User Network) SOTD BIA ISO TIA (Speak Of The Devil Ball Image Analyzer In Support Of That Is All) Achronymphomania
FWIW IMHO (For What It’s Worth In My Humble Opinion) LOOK OUT FOR THE WORS (Lazy Object-Oriented Kernel Outline Flippin’ Over Rated Technology and Home Economics Weighted Operative Risk Scale) Communication’s Syllabic VERSE (Verbal Expressions Rejecting Society’s Expectations)
Archnymphomaniacs HAVE NO VERBS (Haptic Audio Visual Environments Natural Orbital Ventricular Endocardial Right Bifocal Stimulation) USE NO (User Support Environment Neurotic Obsession) phrases
Archnymphomaniacs Puzzled looks Empty gazes
AAMOF WYSIWYG (As A Matter Of Fact What You See Is What You Get) TOPCA (Till Our Paths Cross Again) in TAR (The Amazing Race) JBOD ISAR (Just a bunch of disks Information Storage And Retrieval) Communication’s FUBAR
As a special treat for Halloween, Lane and Tristan perform “Classical Gas For Two Chairs” which involved exorcising the spirits that possess our counter stools. Lane is First Chair and Tristan is second chair. I added a percussion track and an “on-hold”, “elevator”, Muzak-like track for counterpoint. Happy Halloween!
I recorded coyotes yipping and howling in the bosque and wrote a song to go with the canine chorale. It was dark when they went off on their bosque flashmob; however, whenever the coyotes start yipping and howling right at sundown we never see them as they are hidden in the brush and undergrowth in the bosque. The coyotes do flashmob howling quite often, and they sound close and often howl from all sides. I don’t have videos of coyotes; therefore, I used photos I’ve done of coyotes, plus videos of me and the guitars I played on the song.
About the guitars. I finished building the Black Tele last week. I built it with standard Tele pickups, so it has a nice twangy sound to it. The blonde jazz guitar is a Guild A-150B with a DeArmond Rhythm Chief 1000 floating pickup.
COYOTES Lyrics and Music by Timothy Price
Coyotes howling in the night Canine chorus Offers up a fright
Binomial chorale Reverbs through the trees Like a bosque flashmob Surround sound and for free
Dusk falls Latrans he rejoices Yipping, screeching, howls A cacophony of voices
We got out late last night for a walk under the stars after putting up our third sack of green chiles, making power bars, and doing various other chores that took up all of our daylight hours. A few hundred feet before the bridge that we use to cross the clearwater ditch, I saw what looked like a weed moving ahead of us. I shined my flashlight on it, and, as I suspected, it was Porky, a very large porcupine, waddling along on its way to cross the bridge ahead of us. I pulled out my phone to see if I could get a video, but by the time I got the phone convinced to take a video in the dark, Porky had crossed the bridged and headed down into the cottonwoods between the clearwater ditch and the irrigation ditch. I managed to get a short, 15 second video of Porky waddling into the undergrowth by a large cottonwood. I assembled and arranged a short piece of music for Porky’s promenade.
The photos below are an assortment of critters and fall colors.
Chile season is upon us. We put up a sack a green chile from Wagner’s Farm here in Corrales this afternoon, and while we were waiting for the them to steam after bringing the freshly roasted sack of green chiles home, I got inspired to finish the music video for my Capsaicin Cub song. The video is meant to be funny, so some aspects are a little different.
Below is a photo of the chile guitar and chile bass I used in the video. They are built by Dean, but I had a photo of chiles printed on a skin by Curtis Osborne at The Village Printshop here in Corrales earlier in the year, and we stuck the chiles skins on the guitar and bass. I got the guitar and bass on eBay at very good prices; therefore, I was expecting to use them mainly as props. As it turned out, the guitar and bass are very good instruments. I played the chile guitar on the recording of Capsaicin Cub used in the video, but Ron Blood played the bass line using his own electric bass guitar. However, I have played the chile bass on many of the recordings I have posted this year.
After pealing, cutting off the heads, and removing the seeds and veins from the green chiles, we normally put them in quart-size Ziploc bags, flatten the bags and freeze them. Since we have a lot of recipes that take three quart-size bags of green chiles, we decided to freeze some of the chiles in gallon Ziploc bags with the same amount of green chile as three quart-size bags in each gallon bag.
This short video is of a Great Horned Owl I saw in the tip top of Mia’s tree when we walking in the bosque at dusk last night. The video is made from “Live” photos I took of the owl with my iPhone. If you are not familiar with Live photos, the phone takes a 2 to 3 second video in the process of taking the still photo. I added a short piece of music I assembled from other songs I recorded a few months. The owl may have been one of the owls in the photos below.
This is a video of a lizard with a kill of some type. I don’t know what it had, but the lizard was really trying to break it apart. Put on your headphones and turn up the volume.