We have a real mystery on our hands with the mess left at the back door of the office. I’ll put the blame on La Llorona since there is an old acequia that runs under the parking lot about 50 feet from this mess.
Tag: lighting
Heavy Mist
Of Cloudscapes and Cats
The clouds over the Sandias this morning made beautiful cloudscapes, some with rainbow colors made by the rising sun reflecting off ice crystals in the thin clouds. Other clouds cast shadows as the sun rose above them.
Ice crystals reflecting colors in the clouds.
Moon in the western sky before sunrise.
Moon behind Mama Owl before sunrise
Daddy Owl watching the birds flit around below him at sunset.
Mama Owl hopped over to another branch so I could get a shot of her from the levee after sunset.
Urban Pine Cone
Lavender Mist
We got about an inch of snow last night. The sun came out and melted most of the snow even though the high temp was only around 35ºF. The clouds broke up for a very short time this evening, allowing me to get a shot of the moon through the lavender mist†.
†Number 1, 1950 (Lavender Mist) is a masterpiece by Jackson Pollock: https://www.nga.gov/collection/highlights/pollock-number-1-1950-lavender-mist.html
Thinking About Snowing
Alpaca la Mañana Tuya
The morning started off mostly cloudy, and clouds blew around overhead all day long producing some interesting skies. In the late afternoon, we had dramatic pre-storm light. It’s overcast and raining this evening, so no moonshot tonight.
“¡Hola! Buenos Días. Me llamo Cara de Calavera (Skull Face).”
Blanca: “¿Qúe pasa? Cara de Calavera.” Cara de Calavera: “Hay un paparazzo en el dique.”
Blanca: “Oye paparazzo, ¿qué pasa?” Me: “¡Disparándote con mi Bazooka!”
Susan Hunter identified this bird as a Song Sparrow. It was foraging on the river’s edge.
Pre-storm dramatic light on the cottonwoods.
How many robins can you find in this tree?
The many faces of Tommee Towhee.
Mama Owl and Daddy Owl trying to get some rest after a night of really hooting it up.
Gwendolyn
Gwendolyn is more adventurous than Glenda, but not into modeling like Glenda. She doesn’t hold still for long unless she is napping in a cubby or lounging in some other difficult to photograph location. She is always playful, but when I get the camera out she skedaddles under the bed, behind the couch, under a chair, wherever she is out of camera range. This afternoon I got her to come out from under the bed and give me some cute poses. Thank you, Gwendolyn.
Intermission: The wild sky this afternoon.
Moon in the rough. January 23, 2021.
Unarmed Drive-by
I didn’t have my new Bazooka when I drove by this gang doing a photoshoot with a 1960 Chevrolet Impala in Downtown Albuquerque on my way home tonight.
Spunk Approves
Lavinia asked if I had used a telescope to photograph the moon last night. Lavinia never lets me down on being observant and asking questions when something seems different like a whole lot of detail in the moon photo. As I answered her, I did not use a telescope, I used a 400mm lens that is equivalent to a 640mm lens on my Canon 7D Mark II body. I have been considering getting a long telephoto lens for quite some time.
I was originally looking at the Canon 100-400mm lens, which is one of Canon’s best telephoto zoom lenses for mere mortal photographers, such as myself. However, the 100-400mm lens is ƒ/4.5 to ƒ/5.6, which is a little slow for as much low light photography as I do. I really needed a faster telephoto lens. I seriously considered both the Canon 400mm ƒ/2.8 and the Canon 300mm ƒ/2.8 lenses. The problem with those lenses for me is their weight. The Canon 400mm ƒ/2.8 weighs in at 12 pounds, and the 300mm ƒ/2.8 weighs 6 pounds, 1/2 the weight of the 400mm ƒ/2.8, but still a heavy lens.
I ended up compromising on speed for lighter weight and bought a 400mm ƒ/4.0 DO lens with Refractive Optics, which enables Canon to put a 400mm ƒ/4.0 lens in the same body as the 300mm ƒ/2.8 lens, shaving 2 pounds off the weight in the process. At 4 pounds, the 400mm ƒ/4.0 DO is easy to handle, and fast enough to get decent images hand held in low light. In the photos of the owls below, we could only see outlines of the owls with our bare eyes like in the first photo, but not nearly as close up. The new lens is able to focus on the owls in relative darkness, through the branches and get an amazing amount of detail.
Intermission photographed using a Fuji XE-1 with 27mm ƒ/2.8 lens
“Who are you calling a ‘lens hugger?’ Stupid Paparazzo!”
RAW image of the owls before I cropped the image and adjusted the exposure, contrast, color balance, etc.
“Oh my! The paparazzo found us again.”
The streak photographed using a Canon 5Ds with a Canon 70-200mm ƒ/4.0 lens
A little over half a moon on 01/21/21




































































