Holy Moses

Moses

I had my day all planned out — go to the second service, get material on the way home to finish the door, do more watering, herd cats — or so I thought. After the service, which had a wonderful liturgical dance to “Moses”, Jerri asked me if I had gone to their concert at Keller Hall last night and photographed it — I hadn’t, so she asked me if I could photograph the concert this afternoon. The concert was great. A mixed Choir, with the  Symphony Orchestra of Albuquerque, performed the Easter selections from Handel’s Messiah, then the SOA played Brahms’ “Academic Festival Overture” and Camille Saint-Saens’ “Piano Concerto No. 2 in G Minor,” with Natalia Tikhovidova on piano. Ms Tikhovidova is a phenomenal pianist and the “Piano Concerto…” was very lively and showy. The SOA and choirs will do another performance on March 17, 2013, 2:00 pm at John XXIII Catholic Community, 4831 Tramway Ridge, NE.

I started out the photo session standing with the choir in the beginning of the concert, so I got a super-wide angle photo from the choir’s/orchestra’s point-of-view, with the audience in the pews.  The percussionists were fun to watch because they followed their music with such intensity — there were times they played only one or two notes, so they obviously didn’t want to miss them.

Although I had to lay aside my well-laid plans for the day, the concert was well worth it.

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Percussionists

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Pipes

Pipes

 

I was studying for the French test tomorrow while listening to the choir rehearse Messiah pieces with the Symphony Orchestra of Albuquerque at Heights Cumberland Presbyterian Church. On the way home I started thinking about what kind of effect studying while under the influence of Handel might have. Let’s say there’s a question like “Why did the south lose the Albigensian Crusade?” I could answer “They were like sheep!”  and that answer would be correct.

The Choir and SOA are performing selected pieces from Handel’s Messiah this Saturday, March 9  at 7:00 pm at Keller Hall at UNM and Sunday, March 10 at 2:00 pm at Eastern Hills Baptist, 3100 Morris St NE.

 

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White Girls

 

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Coheed & Cambria, Between The Buried & Me and Russian Circles played tonight at the Sunshine Theater, and these white mannequins were among the gear in the staging area behind the theater.

 

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Full Moon on Fatter Tuesday

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The UNM Brazil Club had their first annual “Fatter Tuesday” A Carnival Extravaganza tonight. I was expecting more costumes, but, there were few. Two organizers were the best dressed for the event, and also the young woman in the last photo who painted her face. They had a band and percussion ensemble so the party was loud, festive, and the dance floor was crowded. The moon was stunning this evening. We had the pleasure of watching it rise on the way home.

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Old and Cold

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There were a lot of band tour buses parked out behind the office this afternoon, so I looked up on the Sunshine Theater’s schedule to see who was playing tonight. As usual I had never heard of or heard any of the groups listed, so I looked up samples of their music on Youtube. The first group in the list is Emmure and the music video I chose at random was what I would call hyper-grunge with caveman lyrics, although to be fair, cavemen were probably much more clear and articulate. After a few painful seconds on listening to Emmure, I looked up Whitechapel, the next group on the list, and the random song I chose sounded just like the song I listened to by Emmure. I had to do a double take to make sure I hadn’t reloaded Emmure — I hadn’t. Obey The Brave and The Plot In You also sounded the same to me. If I got it right, these bands tour together as Brothers of Brutality and from the snippets of the songs I listened to, they are brutal.

I guess I’m getting too old, because I don’t know why the groups want to subject themselves to themselves, or why anyone else, of any age, would want to subject themselves to the Brothers of Brutality, but there is an appeal that goes beyond both my understanding and sensitivities. I left the office a little after 5:00 pm tonight, a bit later than I had intended since I was supposed to pick up Laurie and Tristan at school at 5:00 pm. When I walked out the door the cold hit me like a stinging slap on my face, and I shivered as I walked to the car. While I was sitting at the light at 2nd and Gold, I got a text from Laurie that read “Hypothermia!” The light turned green and as I drove by the Sunshine theater, I noticed that many of the kids who waiting in line for The Brothers of Brutality concert were wearing short sleeve shirts and shorts, and many of the girls who were wearing jeans had slits all over them and plenty of flesh exposed to the cold air.  Maybe being brutalized by the elements is a required to properly experience The Bothers of Brutality?  Call me old, call me a prude, but it’s much too brutal and mysterious for me.

 

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Opening Night

Wedding Singer Robbie & Julia
Logan Mitchell as Robbie Hart & Devon Frieder as Julia Sullivan

 

We went to the opening night of The Wedding Singer directed and choreographed by Devon Frieder. The show was fantastic, and I would encourage anyone living in the greater Albuquerque area to go and see it. The show dates and times, ticket prices and the location are available on my Happy New Year post.

The show is at the Musical Theatre Southwest Black Box Performance Space, which is a small, intimate theater where the performance space is larger than the space allocated for seating (about 100 seats), which gives the allusion that the number of performers are about equal to the audience members.  When the full cast is on stage dancing and singing the intimacy, activity, variety of colors and the performers expressions are so exciting that it all becomes almost overwhelming trying to decide who to watch — you can’t take it all in at once like you can in a larger theater.

The story is about Robbie Hart, a singer/song writer, who plays for weddings with his friends Sammy and George. Julia Sullivan is a waitress who becomes engaged to a successful broker, Glen Guglia, but she and Robbie fall in love and everything seems to go wrong for them becoming a couple.

The music and choreography are fun and were delightful to listen to and watch. The comic lines are delivered flawlessly, and the acting was superb. Most of the cast play multiple characters and they play them well. They wouldn’t have had to name the stars and famous people they portrayed, as even I, the no TV, cultural misfit that I am, recognized all of them.  Although I don’t usually care much for musicals, I throughly enjoyed the performance, was taken in by the story and characters, and I even fell for the romance and wanted to see Robbie and Julia get together and be happy in the end.

 

Wedding Singer George & Rosie
Rikki Carroll as Rosie & Bryan Daniels as George

 

Wedding Singer Holly Sammy Glen
Amy Burgen as Holly, Gus Spencer as Sammy & Erik Joshua Clack as Glen Guglia

 

 

The Messiah Has Come

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If you missed Handel’s Messiah tonight, performed by the Central United Methodist Church’s Chancel Choir with the NM Philharmonic Orchestra, David Felberg, Conductor, and soloists Cammy Cook, Soprano, Jacqueline Zander-Wal, Mezzo-soprano, Javier Gonzalez, Tenor and Ivan Conrad, Bass — not to worry, there is a second coming of the Messiah tomorrow afternoon, Sunday, December 9th,  3:00 pm at Central United Methodist Church, 201 University NE. If you live in the Albuquerque area, you really shouldn’t miss it — there will be tickets available at the door.

Before the concert began, members of the Albuquerque Girl’s Choir were singing in the hallway as people came in. Most of the girls were very young, and they didn’t have a director. They were all very cute, but as they tried to sing, especially with recorded music, they were so rhythmically challenged that they were difficult to listen to. After the Chancel Choir had warmed up, Jerrilyn Foster, the director of the Chancel Choir, came out and started directing the girls choir, which completely transformed them — they all of a sudden sounded good and were “in compás”.  I think Jerri has a magic touch, because she takes all comers into the Chancel Choir and gets the best out of all the singers. She is really amazing.

Tonight’s performance was wonderful. Even though I’ve been listening to the choir practice every Wednesday night and Sunday afternoon, and to Laurie sing with her CD daily for months; and even though I sat through the rehearsal with the soloists Wednesday night and the dress rehearsal with the orchestra and soloists last night, tonight’s performance still sent chills up and down my spine and brought tears to my eyes — it also brought back memories of listening to the Messiah in a 15th Century Cathedral in Madrid, Spain in 1996. The cathedral was packed and we had to stand through the whole concert, but the sound and the atmosphere was so beautiful and mesmerizing, you felt like you where in the 18th century, and there wasn’t a dry eye in that old cathedral when the Hallelujah Chorus was sung. I had much of the same feeling listening to the Messiah this evening and I believe, like Handel, that we see Heaven before us and “the great God Himself” when we listen to great performances of the Messiah.

Girls Choir
Jerrilyn Foster takes a minute before the concert to direct the Albuquerque Girl’s Choir
Left to right: Ivan Conrad, Cammy Cook, David Felberg, Jacqueline Zander-Wall and Javier Gonzalez

The Messiah is Coming

Only seventeen days left until the Central United Methodist Chancel Choir with the New Mexico Philharmonic Orchestra present Handel’s Messiah. I am listening to the choir rehearse as I write, and they sound wonderful.   Besides singing, the choir director has the choir do choral calisthenics and stretches so they will be in ship shape to deliver outstanding performances.  The performances will be on Saturday, December 8th at 7:00 pm and Sunday, December 9th at 3:00 pm. If you live in the greater Albuquerque area, I highly recommend getting tickets to this concert. Tickets can be purchased on-line at http://holdmyticket.com/event/119812.

Handel composed the Messiah in 1741, a 100 years before the term photography was attributed to the process of recording images on a medium using a camera.  Since the daguerreotype was one of the earliest photographic processes that resulted in a direct positive, I used a hand-colored daguerreotype effect on the photos of the choir doing their calisthenics, stretches and singing to represent an early time. It doesn’t take us back to the time when Handel lived, but it does give a sense of rehearsing the Messiah in the earliest days of photography.

Javier Y Pablo

We went to a graduate Recital by Javier Gonzalez, tenor at Keller Hall tonight. Mr. Gonzales was fantastic and he was accompanied by master pianist, conductor, composer, arranger… Pablo Zinger, whose piano accompaniment was spectacular. We couldn’t have asked for a better performance from both artists.