We had our 8th Annual Corrales Rose Society Dr. Huey tour in person this year. Susan came out in the late afternoon, and we walked around and looked at all the Dr. Hueys on the property, which are many this year. I also photographed other roses and Ladybugs.
Julie’s giant Dr. Huey in front of Rebecca’s black bamboo, and Marina’s Incognito pear tree blending in on the side.
Sleepy Owl was perched in a tree
Leaned forward wide eyes askance
Then the little fella
Puked up a pellet
“Oh! What a good owl am I!”
Gigi’s tree in the foreground with Resa’s and the neighbor’s trees in the background.
All of the blood moon photos were shot between 4:30 am and 5:04 am. I changed my exposure allowing the non-eclipsed portion of the moon to washout. When there is no cloud cover it easier to keep the non-eclipsed portions of the moon from washing out. The bright parts of the moon cast a glow off of the thin cloud cover that turned into heavier clouds as the moon sank toward the horizon. After the moon slipped behind the tree I walked up the road to where I could barely see the white sliver of the moon through the haze. After that it disappeared. The full eclipse was at 5:18 am, but it had slipped behind the clouds and out of sight.
More flowers and roses for the Super Flower Blood Moon.
All three owlets have flown into the bosque. They are near the Tangle Heart Tree. Can you find them in the above photo? I’m not sure you can see Mona Lisa from the photo. I believe she is blocked by a branch. This is a higher resolution image than I normally upload, so you can click on it to see the full image and enlarge the image to help find the owlets.
A super-wide view of the area the owlets are in with the Tangle Heart Tree on the right.
Contrails when I got home.
Wild sky of the Sandias and Rio Grande.
More wild skies. The last shot was sunset tonight.
I was going to buy a ultra-wide-angle lens for my Fuji XE-1 that I used to use as a carry camera. But the 10-24mm zoom lens is quite large, which makes it not as desirable to carry when I’m also carrying the Bazooka on a 7D Mark II body, and the 70-200mm zoom lens a 5Ds body. I have been using my iPhone XE for all street photography and wide-angle photos, stitching together panoramas for ultra-wide-angle shots. I finally decided that since an iPhone 12 Mini was the same price as a Fuji 10-24mm lens, I might as well upgrade my iPhone to the iPhone 12 Mini. The 12 Mini is the same form factor as the old iPhone 5, which is my favorite style of iPhone case, and the camera has wide-angle and super-wide-angle. The iPhone 12 Pro has telephoto, also, but I have the Bazooka and the iPhone 12 is bigger than I like.
What’s really nice with the iPhone 12 Mini is the “Portrait” setting works for any abject or critter as you can see in the photos of the kitties and the America Rose above. The “Portrait” setting on my iPhone SE only worked on human faces. When I tried using it on the cats, or anything else, it said “No faces recognized” and would not take a photo. I’m really happy with the camera on the iPhone 12 Mini.
All photos below were shot with the Bazooka 400mm lens on a Canon 7D Mark II body.