The Eye of the Sun

You can see my wordless Wednesday post for 06/10/2105 at http://photos.tandlphotos.com/blog/2015/6/continuing-construction. A lot has changed in 4 years. We’ve gone from super dry with forest fires on this date in 2011 to above average snowfall and rainfall for the first 6 months of 2015. I also no longer have any Olympus digital cameras or lenses (I’m down to only two digital DSLR cameras and lenses), and I have gone from zero film cameras in 2011 to three 4X5 inch view cameras, two 6X7 medium format cameras, one 35mm film camera and a complete darkroom in 2015.

Originally posted on June 10, 2011: I got a new lens — an Olympus 80mm to 300mm zoom lens. It’s not fast 1:4-5.6, but it’s very light and compact. Since it was on special for under $100, I couldn’t pass it up. All the photos tonight, except for the bird, were done with the new lens. Since the smoke wasn’t as bad tonight, I got a photo of a yellow ball of sun behind a dandelion. There was enough smoke to get a clean edge on the sun, but the smoke wasn’t thick enough to turn the sun hot pink like that past few evenings. This morning I got an orange sun rising behind Iceberg. Queen Elizabeth looked great tonight despite the fact that many of her leaves were dirty and wilted from the smoke and ash. Rainbow Sorbet was in fine form for the new lens tonight. A lot more roses are blooming, and our garden is starting to actually look like a garden instead of a post -apocalyptic set for a Rose Warrior movie.

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Bird on a fountain at one of the gardens on the Corrales Garden Tour
Rainbow Sorbet

Designer Darkroom

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I painted the outside of the darkroom and put up shelves for storage of the remaining equipment and supplies that are still in the dance room. There are three photos of the darkroom with a view from the top of the step, a view from floor level and a fisheye view just for fun. In-between the photos of the darkroom, I have a photo of our sunflower forest, and a photo of Veteran’s Honor with grasses, our black bamboo forest and trees behind it.

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Back To Days Gone By

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The last time I processed B&W prints myself was in the summer of 1982. I had done photos of the wedding party at our wedding reception. But I soon dismantled my darkroom and sold the equipment that was at my parents house after we got married. I did some photo processing at the photo studio I worked for in 1980’s until they moved their studio and didn’t reassemble the lab. From the late 1980’s up to 2003, when I went all digital, I had all my film processed and printed by commercial labs.

My darkroom is now fully functional and I have used it to process film and print photos. On my first venture back to those days gone by, I chose a few negatives that ranged from thin to dense to get back into the printing process. Printing the negatives of the “Road Closed” and cornfield with the Sandias in the background were particularly challenging because of the large ranges between light and dark — these photos were taken in heavy rain while the sun was shining (a New Mexico phenomenon).

In the last version of the “Road Closed” photo, I accidentally exposed the back side of the paper and noticed nothing was happening in the developer, so I rinsed the paper, squeegeed it off, and then exposed the emulsion side of the paper. After developing it again, there was a ghost image from the exposure on the backside of the paper that makes it look like I picked up a reflection in glass.

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Day Lilies & Darkroom

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We are getting a nice variety of day lilies with interesting colors.

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Sink with faucet and shelves. The black square in the wall is a light tight exhaust fan.
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The enlarger will go on this area. The silver top is a portion of an old elevator door. Old elevator doors make great tops because they have solid cores, covered with an 1/8 inch thick brushed stainless steel. So even this 34 inch wide top weighs about 60 pounds. When the elevator door top is attach to the walls it makes a very stable surface.

 

I Fought The Wall, And The Wall Won!

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The best 270º panorama I could come up with from the left L to the right L of sheet rocked inside of the darkroom.

I sheet rocked in the darkroom Sunday. I turned out to quite frustrating and painful at times, mostly because the heads of the sheet rock screws strip easily. I couldn’t find a bit that seated well into the screw head, which made the bit want to slip off the screw head, so I ended up unintentionally driving the bit into my fingers and palms of my hands more than once. Over the past several weekends, I got water into the darkroom, ran electrical, and put in a light. Laurie came up with the title, because she said all the noise from screw heads striping and me yelling about a resulting injury, unintended hole in the wall or broken piece of sheet rock, sounded like the wall was winning. I took Laurie into the dark-side of the newly sheet rocked darkroom to check it out, and as I swung the portal door around she said “I can’t see a damn thing!” It is dark inside, so I think I’ll go “soccer” on it and call it a tie!

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180º panorama of the left L, portal in center and right L.
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Outside of the darkroom, all sheet rocked except around the top of the top.

Framed

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Altisimo

After a lot of banging, bending, and creative work, I got the swivel portal-door for the darkroom I’m building repaired and working after the shippers had trashed it as best they could. Now I have the rest of the framing done, the exhaust fan installed, and the sink roughed in.

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Tuscan Sun

A Camera with Character

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I bid on this Canon F-1 on ebay, it was cheap, and I was expecting to be outbid because Canon F-1s are popular cameras on ebay. I forgot about it until I got an email that I won the bid seven days later. The camera looks rough with a lot of brassing, a few dents and a few dings, but it works great and the light meter is right on accurate. It has a motor drive, which is really cool — “chunka, chunka, chunka…” at five frames per second when I hold down the shutter release. Interestingly enough, the F-1 will not trip my studio flashes or modern flashes, but it has no trouble tripping my old Metz CT-60 flashes. I included four photos that are scans of negatives taken with the F-1.

I was downright domestic and quite handy all weekend. I made a double batch of pork roast with potatoes, carrots and celery to get some food stocked up in the freezer. I had a stark reminder about how busy we’ve been when I opened the door to discover I had more film than food in in the freezer — it was definitely time to do some cooking.

I also finished organizing the catio, and got the rest of the stuff out of the armory, and started preparing to build a darkroom. I ordered a walk-thru cylindrical revolving darkroom door, which should arrive in a couple of weeks, and started drawing lines on the carpet to mark out where the walls and cylindrical door will go.

The nature of remodeling projects is that I always have to deal with deferred maintenance as part of each remodeling project, so I repaired the roof on the armory, and then put re-purposed corrugated steel on the exterior, south-facing wall to cover up the deteriorating exterior wall board that’s been blasted by the sun for the past 24 years. I also covered up the window in the south wall, since I don’t need a window in the darkroom. The re-purposed corrugated steel gives the south wall of the armory a colorful, ghetto-like look between the white and silver pieces, and the rusty spots.

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Attempt at studio flash with F-1. The camera would not trip the flash, but the results were interesting. Kodak MAX 400 film that expired in 2004.

 

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Sandias with Jetis and Rio Grande in the foreground. Fuji 200 print film

 

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Rosencrantz through the screen. Kodak MAX 400 print film that expired in 2004

 

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Tullips Kodak MAX 400 print film that expired in 2004

 

 

 

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Double batch of Pork Roast with potatoes, carrots and celery.

 

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More film in the freezer than food. In truth, there is more green chile by volume than film, but that’s about it.

 

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Started drawing out on the floor where the walls and walk thru-cylindrical revolving darkroom door will go.

 

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I put up re-purposed corrugated steel on the outside of where the darkroom will be, covering up a window in the process. I got out the level just because that’s what one does when remodeling, but as most everything in NM the building is “not even!”