Thanksgiving

 

We had a slow roasted prime rib with pea and parmigiano soup, roasted root vegetables with meyer lemon, yorkshire pudding and Irish whiskey cake for Thanksgiving dinner.  David and I went out to the river at sunset to get photos — I used my new ultra-wide angle lens, while he used one of my cameras with a super telephoto lens. While I was wandering around downtown last night I took a couple of ultra-wide angle shots of the Kimo Theater, and then stitched the photos together. The result is how I believe the Kimo might have looked if I.M. Pei had designed it.

 

 

 

The Messiah is Coming

Only seventeen days left until the Central United Methodist Chancel Choir with the New Mexico Philharmonic Orchestra present Handel’s Messiah. I am listening to the choir rehearse as I write, and they sound wonderful.   Besides singing, the choir director has the choir do choral calisthenics and stretches so they will be in ship shape to deliver outstanding performances.  The performances will be on Saturday, December 8th at 7:00 pm and Sunday, December 9th at 3:00 pm. If you live in the greater Albuquerque area, I highly recommend getting tickets to this concert. Tickets can be purchased on-line at http://holdmyticket.com/event/119812.

Handel composed the Messiah in 1741, a 100 years before the term photography was attributed to the process of recording images on a medium using a camera.  Since the daguerreotype was one of the earliest photographic processes that resulted in a direct positive, I used a hand-colored daguerreotype effect on the photos of the choir doing their calisthenics, stretches and singing to represent an early time. It doesn’t take us back to the time when Handel lived, but it does give a sense of rehearsing the Messiah in the earliest days of photography.

Ultra-Wide

My new 17-40mm ƒ/4 ultra-wide angle zoom lens was delivered this afternoon, so I tried it out downtown (and on the rib roast I picked up on the way home tonight — we are having standing rib roast instead of turkey for Thanksgiving). The lens is sharp and has good edge to edge detail, even wide open at slow shutter speeds. The photo of Liz in Patrician Designs was shot at 17mm, ƒ/4 at 1/20 sec at ISO 100. Liz is a little soft because she was laughing, but the sharpness and depth-of-field is impressive. I bumped up the ISO to 400 when I photographed Megumi in Cafe Giuseppe (1/30 at ƒ/4). I photographed the mutual life building at ƒ/11 and One Up at ƒ/7.1.  The rib roast was a little more work. I used two flashes, one on the camera, the other in my hand. At 17mm, I was about 3 inches from the roast, so I had to use manual focus, hold the camera with one hand, while aiming the flash with the other (I was too lazy to get out a tripod, which would have made doing the photo much easier). The exposure was 1/160 at ƒ/5.6 ISO 400.

Today in B&W

These trees on the north side of Castetter Hall at UNM are nicely shaped and cast wonderful shadows under the night lights.  Rosencrantz and Mama Manx were snuggled together on the couch, but the minute I pointed the camera at them, they looked up at me.  The clouds were beautiful on the Sandias this morning. Laurie had an appointment at school, so we didn’t have time to make a short detour to the open space across from the Balloon Museum and get a better view of the Sandias without so many buildings and power poles.

Kitty and a Cake

 

We celebrated Laurie’s brother’s birthday tonight. Laurie made a chocolate Irish whiskey cake that was wonderful. Romeo, who is Laurie’s parent’s cat, was being especially cute tonight. The Sandias were in great pink form tonight, so I got up on the roof to get the photo. We are working on upgrading and consolidating our electrical service, which will allow us to remove the power pole with the light on it in the photo of the Sandias.

 

 

 

Crane Dance

 

We had cloud cover most of the day, but no precipitation. I went out on the river an hour before sunset and got the cranes flying in for the night. They often dance around after they land. I don’t know if the duck was stretching, dancing or saw something threatening, but he was putting on a show, also.

 

 

 

 

 

Four Cats & A Parrot

Out of our six cats I got four of them to pose for me tonight. Puck, who is usually a great poser, made me chase him all over the house and catio before he decided to go into “light switch Viper” mode and attacked Laurie before he let me get a few shots of him.  Between the cooler weather and the daily waterboarding, Stretch is looking so much better. I read Tintin in French to Stretch while giving him his fluids a couple of times this while Laurie was getting ready. I think my French on top of the waterboarding was double torture for poor stretch as he growled even louder as I read to him. Diné and Mama Manx headed for the hills when they saw the flashes. I usually don’t use a flash, but now that it gets dark so early, I’ve pulled out the flash. Beaker, our Gold Cap Conure, didn’t seem to be at all bothered by the flash.

Crows

 

Wagner plowed the corn field under. The cranes are sparse so far, and there were a few geese, but the crows are really taking advantage of the corn scattered by the plowing.

 

 

 

Windows

 

 

I walked around downtown after work tonight and found some interesting windows. The motorbike in an art gallery’s window looked like it might even run — could be functional art. Functional or not, it is an interesting piece.

 

 

 

The Duke

When you think of icons and landmarks you can’t get much better than the painting of the Duke in the Frontier Restaurant across from UNM’s new School of Architecture Building on Route 66 in the Duke City.  John Wayne stares, from his large portrait hanging on a south wall in the Frontier, straight out north windows at the new Architecture building across Central Ave (Old Route 66). While I was waiting to cross Central on my way to the Frontier, I heard engines roaring and tires squealing and zoomed my lens toward Girard to capture either a car chase or car race on Old Route 66. One of my clients thinks I need to make another edition of my photo book Route 66 Albuquerque’s Central Avenue After Dark and include images like these. He thinks the book is incomplete without a photo of the painting of the Duke in the Frontier and a photo of the School of Architecture Building at night.