I went to see Alice Cooper last night. It was a fun concert. He is still a great showman. I was about 25 feet from the stage in the center. I got four guitar picks thrown by the guitarists, but I only kept one. The people around me really wanted those picks. Nita Strauss does great hair whips. I caught a lot of them. Ryan Roxie and Tommy Hendriksen rocked on their guitars. Chuck Garric played a mean bass, and Glenn Sobel was fantastic on the drums. I assume Alice’s daughter, Calico, played the Pirate, but I can’t say for sure. Alice had a boa constrictor close to the same size as my Blue. Cold Ethyl had the same hair as Sia. Hmmm! Alice lost his head, of course. Here are some photos from the show. Click on the photos to enlarge them.
We went to the Ballet Repertory Theatre of New Mexico’s production of “The Nutcracker” last night in the historic Kimo Theater. Laurie wore her pink stripes and pleats with “Count of Monte Cristo” boots, white silk scarf, and her Harley Davidson leather jacket for the cold walk back to the car.
If you want to see a nice, close-up view of the Mona Lisa, look her up on-line or in an art book, because you can’t get a good look at her at the Louvre.
The Louvre has a current exhibit of a large-scale series of installations, encounters, theater performances and public activities by Italian artist Michelangelo Pistoletto (1933, Biella). The exhibit is titled Year 1: Earthly Paradise, and it marks “the transition into the new era of human, social, and cultural metamorphosis that was celebrated all over the world… The exhibition embodies three different time frames: the past, in the context of a retrospective; the present seen in the mirror works reflecting the visitors; and the future in a great obelisk topped with a triple loop, a symbol of this ongoing revolution. Thus the sign of the “third paradise” adorns the pyramid… Spirituality, figuration, the breaking down of boundaries between the arts, social solidarity, and the merging of life and art: these are the themes permeating the thinking of Michelangelo Pistoletto…”
Every other photo in this set of photos is a photo of a Pistoletto installation. Most of these are from the mirror installations, but there were video installations where we were live in the video along with all the recorded video. One installation was neon in different languages in the medieval part of the Louvre and the last installation we saw was a room of mirrors. I also included a shot of Laurie in the tiny elevator in our building as it fit well with Pistoletto’s idea of past and present.
If you haven’t figured out that the Louvre is crowded, it is. It’s very difficult to get a photo of a painting without visitors in it, except for occasional breaks in the crowd and photographing ceilings. So I just view the crowd as part of the art experience.
We went to Handel’s opera Guilio Caesare last night. The orchestra used instruments from the period, which blended particularly well with the voices; the sets were monumental; the performers were fantastic. We were in a box seat slightly to the right of center stage on the first mezzanine level with 5 other people. The theater was packed. We arrived 40 minutes early, which allowed me to get some photos of the interior of the theater with my iPhone (last photo).
A costumed crowd was gathered outside the Kimo Theater. I wanted to park and get photos but there were no parking spots available, so I swung around the block and did a drive-by photo at about 10 mph. The sunset was beautiful, but my best opportunity of getting a photo of it was a drive-by at 80 mph on I-40.
Today is my 666th consecutive post since I moved to Word Press. The number 666 is dear to me because I woman once called me the Antichrist in a public meeting (I really, really made her mad). Later I used the same formula that Boris used in Tolstoy’s “War and Peace” to add up the numbers that corresponded to the letters in his name to see what they added up to, which turned out to be 666, making him think he was the Antichrist. Guess what? The numeric values of my full name also added up to 666. But it’s all for fun, as Nero was thought to be the Antichrist referred to in the Book of Revelations, and apparently, the Mark of the Beast could be 606 or 616, so all the superstition about 666 may all be for naught. The State of NM changed NM Highway 666 between Gallup and Shiprock to US Highway 491 a few years ago so they wouldn’t be mixing church and state.
So when Bruce and I were discussing what I should do for photos for this special post, he gave me the idea to google 666 Route 66. There are were actually four choices between SW, NW, SE and NE depending on which side on Central Avenue your on, east or west of the railroad tracks. East of the tracks was a hotel or the building the Baptist Convention used to be in. West of the tracks is El Rey Theater and a parking lot. If the Baptist Convention was still at 666 Route 66, that building would have been the photo of the day, but it’s a boring building and I have no history with it. So the El Rey got it. I go way back with the El Rey. When I was a kid I went to movies there, and about 20 years ago we went to see a band friend liked — the band sucked but our friend was entertaining. Around the same time, we went to a couple of salsa dances, performed flamenco, and we went to concert by Bela Fleck and the Flecktones at the El Rey. Bela Fleck was fantastic and he changed my opinion of the banjo forever. I still get mail from the Flecktones every now and then.
At lunchtime Bruce and I walked over to the El Rey Theater and he posed for me on the spot that would be 666 Route 66 SW. I used a super-wide angle lens, which made Bruce look a little like the Terminator, which was perfect. The we went around behind the building to find the back wall colorfully painted with an outline of the Virgin de Guadalupe on a back door — super! Then we photographed our way back to the office through the well painted and graffitied alleys.
Coheed & Cambria, Between The Buried & Me and Russian Circles played tonight at the Sunshine Theater, and these white mannequins were among the gear in the staging area behind the theater.
Film crews often block streets and take our parking in downtown Albuquerque. They had 3rd Street blocked off the between Gold and Central the other night while filming “Force of Execution” with Steven Seagal. While I was making my way out of downtown the same night, I noticed the Kimo Theater’s marque read “Story of Film.”
Logan Mitchell as Robbie Hart & Devon Frieder as Julia Sullivan
We went to the opening night of The Wedding Singer directed and choreographed by Devon Frieder. The show was fantastic, and I would encourage anyone living in the greater Albuquerque area to go and see it. The show dates and times, ticket prices and the location are available on my Happy New Year post.
The show is at the Musical Theatre Southwest Black Box Performance Space, which is a small, intimate theater where the performance space is larger than the space allocated for seating (about 100 seats), which gives the allusion that the number of performers are about equal to the audience members. When the full cast is on stage dancing and singing the intimacy, activity, variety of colors and the performers expressions are so exciting that it all becomes almost overwhelming trying to decide who to watch — you can’t take it all in at once like you can in a larger theater.
The story is about Robbie Hart, a singer/song writer, who plays for weddings with his friends Sammy and George. Julia Sullivan is a waitress who becomes engaged to a successful broker, Glen Guglia, but she and Robbie fall in love and everything seems to go wrong for them becoming a couple.
The music and choreography are fun and were delightful to listen to and watch. The comic lines are delivered flawlessly, and the acting was superb. Most of the cast play multiple characters and they play them well. They wouldn’t have had to name the stars and famous people they portrayed, as even I, the no TV, cultural misfit that I am, recognized all of them. Although I don’t usually care much for musicals, I throughly enjoyed the performance, was taken in by the story and characters, and I even fell for the romance and wanted to see Robbie and Julia get together and be happy in the end.
Rikki Carroll as Rosie & Bryan Daniels as George
Amy Burgen as Holly, Gus Spencer as Sammy & Erik Joshua Clack as Glen Guglia
2012 ended with a beautiful sunset. Laurie walked by the window and said “Oh! The base of the Sandias are on fire!” I grabbed my camera and made the 1/4 mile dash to the river bank just in time to get the red as it faded with the last sunlight of 2012. As I walked out of the bosque, the last sunset of 2012 was quite dramatic, as was the morning light offering beauty and promise for 2013.
I start the new year with my 600th consecutive post on WordPress, and 908th consecutive post since I started on CaringBridge in July of 2010. According to WordPress’s annual report, I had over 10,000 views in 2012 from people in 83 countries, — the US, the Netherlands, the UK, Canada and Russia were the top five. Thank you all for a great 2012 and I look forward to an even better 2013.
One of the first things you can put on your calendars for 2013 is the musical comedy, The Wedding Singer, presented by Devon Frieder and Warehouse 21 Productions. It starts this Friday, January 4th, and will run for two consecutive weekends. The show is directed and choreographed by Devon Frieder, with musical direction by Erik Joshua Clack. The Wedding Singer is based on the book by Chad Beguelin and Tim Herlihy with music and lyrics by Matthew Sklar and Chad Beguelin.
The shows will be presented at the Musical Theatre Southwest Black Box Performance Space, 6320 Domingo Rd. NE Ste. B, Albuquerque, NM 87108 (Central & San Pedro by the Fairgrounds). Show dates and times are:
Friday, January 4 at 7pm
Saturday, January 5 at 2pm & 7pm
Sunday, January 6 at 4pm
Friday, January 11 at 7pm
Saturday, January 12 at 2pm & 7pm Sunday,
January 13 at 4pm
Admission: $15 Adults, $12 Students. Special Front Row VIP Seats for $25.
To Reserve Tickets in Advance, Call (505)-216-6014
The last five photos are from a promotional photo shoot I did for the show last week, and Three Guys and a Guitar I posted on December 28, 2012 was one of the photos from the session. From the 10 minutes of rehearsal I saw before the shoot, and my interactions with Devon and the cast, The Wedding Singer looks like it will be a fun-filled production with lots of music and dance, and a friendly cast of whacky, colorful characters.
Off Center & Not Even 