Lately, when I write a song, I make a version of the music for me and a version for Teagan. Teagan’s version of The Storm is difficult because it has a wide vocal range and requires a powerful voice. Teagan nailed the range with her powerful vocals.
The Storm by Timothy Price
[Verse 1] Riding on the edge of night Rainbow storms play on left Sun shines on the right
[Chorus] Light bounces off gray clouds Shadows cling to the ground Dead trees stare at useless rain Much too late to ease the pain
[Verse 2] Standing against the wind Vultures circle overhead Wishing my demise
[Bridge] Angels ride On lightning bolts The gods argue Their thunder rolls Primary colors Come undone Trying to calm The violence Of the sun
[Outro] Light bounces off gray clouds Shadows cling to the ground Dead trees stare at useless rain Much too late to ease the pain
After I finished intensive chemo in 2010, I complained to my oncologist about not having feeling in my fingertips or toes. I asked when the feeling would return. She said probably never. I gave her a disappointed look and grumbled about it. She said, “It’s better than the alternative. Stop complaining, you’re still standing above the ground!” She was right. I had no right to complain. She had saved my life, and following her instructions, I never got sick or had any complications that I’d heard so many people had with chemo. After my second bout with cancer, and even more intense chemo than I had with the first bout, there was no chance of regaining much feeling in my fingertips.
As one might imagine, playing the guitar with numb fingertips is challenging. I started relearning to play the guitar in 2018. I wrote the lyrics to Standing in 2019, but never got a tune or music worked out that I liked. I gave AI Music the lyrics and the parameters for the music, and I finally got a song I liked.
Søren knows what it’s like to be standing!
Standing By Timothy Price
Verse 1 Numb and swollen fingers Fumble on the strings I can’t feel the music I’m Lost in sonic spaces
Verse 2 My guitar rings in my ears I struggle with the sound I’m trying to make some music A joyful noise is what comes out
Chorus But I won’t complain And I won’t shed tears It’s a miracle That I’m still here I won’t go down Or get torn usunder Becase I’m still standing Above the ground
Bridge Errant notes dangle Then they Fall Slipped off strings And fingerboard They lie scattered Across the floor They’re silenced Under foot
Otro Numb and swollen fingers Still fumble on the strings I still can’t feel the music I’m still lost in sonic spaces
Please take a moment to checkout the same Moments featering Teagan Geneviene on vocals that I posted last Mondy, but with a different video animated with a Shadow Dancer derived from Michele at My Inspired Life. Michele is into dancing, and working on a few different styles of dance, so when I was creating dancers to animate for the video, I made one with Michele in mind. While the AI created the dancer as a silhouette, the silhouette could be Michele. I described the choreography for the animation and it came out reasonably close to what I wanted.
Jake: “Whoa! Michele is a great dancer. How do I get attention for her?”
TnT’s latest musical collaberation is a version of Moments I made for Teagan. While I was trying different animations for the video, Teagan created a happy image of a singer and musicians for me to animate. Of the many problems I encountered creating animations for the a video to go with the song, the main two issues were 1) getting a consistent singer and musicians through the entire video, 2) syncing the singer’s mouth to the lyrics.
Using Teagan’s image, I was able to keep the singer and musicians the same all the way through the video. I gave AI the lyrics and incuded timing and prompts in attempts to sync the singers mouth with the lyrics. I do not have an AI subscription that allows me to upload the music in an attempt to sync the music with the animation, so I have to do a lot of trial and error to get things synced up the best I can. I got the mouth syncing moderately close to the words in the video, but they are still off.
I know a lot of people don’t like AI imagery and animation and are put off by it. However, it’s getting better all the time. It also gives artists like me and Teagan a way to create images and animation that we could not afford to do in the traditional ways of creating images for animation and video, or paying someone else to do it for us. Teagan has really polished her use of AI to create images, and I am getting better at the animation for video. We are really psyched about the possibilities that lie before us.
Lyrics and Music by Timothy Price. Vocals by Teagan Riordain Geneviene.
I reworked the melody and music for A Blue Psalm that I wrote several years ago with the help of AI to create My Voice Goes Unheard. I had Teagan, at Teagan’s Books, in mind to sing it for me, and she graciously agreed. The song works much better with Teagan’s vocals.
Dreaded DST 2025. Lyrics: Timothy Price. Music: Timothy Price with AI. Vocals: AI T&T.
My annual song for changing to daylight saving time. I used AI to generate the music from my lyrics based on my guidlines for the key, style, meter where to place vocies, etc. I also had AI create voices for me and Teagan, and named our AI duo “AI T&T.” I used AI to create the images and used AI to animate the images for the video.
We’ve also been having weird weather that doesn’t play well with my joints on the eve of the dreaded DST.
After I read Why people over the age of 55 are the new problem generation: Baby-boomers are keeping their bad habits into retirement in The Economist in early January, I was reminded that I had a song I had started working on a few years ago called “Still Crazy at Sixty!” Keep in mind that 55-year-olds are the end of the Baby Boom. People aged 66 and 67 are the peak of the Baby Boom.
“Still Crazy at Sixty!” was inspired by Ron Blood, bass player extraordinaire, who suggested that I should write a song about still being crazy at 60. I wrote the lyrics based on me, Joel, and Ron growing up in New Mexico and our various adventures through our youth and adult lives. I didn’t like how the song came out in 2019 and never published it. I messed with it three years later when we turned 63, but still didn’t like how the song turned out. With the inspiration of being part of the new “Problem Generation”, I pulled out the song again, updated the lyrics, but I was frustrated again, still stuck creating another sorry tune, so I had AI help me with the melody and the music. A fresh perspective from an artificial brain made all the difference.
Winter’s MoonMetal: Lirycs by Timothy Price. Music and Vocals by Teagan Ríordáin Geneviene.
This is the Metal version of the song I made with electric guitar, bass, and percussion instead of piano and acoustic guitar. The vocals and melody are the same as the version of Winter’s Moon I posted yesterday with piano and acoustic guitar. The Metal backing track really affects the mood and feeling of the song.