The Cine Experiment

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The last frame #24 on the roll of film affected by light leaks in the film canister.

 

I bought some Cine Film re-engineered for 35mm to be developed by standard C41 process. This is a high speed tungsten film normally used for cinematography. I had put the roll of film in my Canon F1 intending to shoot film along with digital of the fashion show at Gears & Glamour. However, since the fashion show was in the dark, and I hadn’t worked with the film before, I didn’t want to push it beyond its recommended ISO 800 until I had used it. Since this film is best used indoors or at night under tungsten street lighting, I only took a few shots in the well lighted prep area at Gears & Glamour, a few more at the West Side Chorale’s winter concert, and then decided to use it outdoors with a 600 mm lens. I knew the color would be off in daylight, but I wanted to see how well I could hand hold a 600 mm lens with high speed film.

I got a surprise when I got to the end of the roll of film. I noticed the advance didn’t stop, and when I tried rewinding the film, the knob turned freely. I advanced the film a couple more times to see it would stop — it didn’t, so I took the camera into the darkroom, opened it in the dark and carefully felt by the take-up spool, and discovered the film had not been secured to the spool in the canister. I took out the canister, and as carefully as I could opened it up with a can opener. I carefully pulled the film out of the camera, but when the last of it popped off the take-up spool, the coiled mess of film slipped from my hands and fell to the floor. Remember, I’m in total darkness, so I bent down, felt around at my feet, found the pile of film, gently picked it up, found an end to the film, found the spool from the canister and rewound the film back onto the spool. I put the spool back in the canister and forced the end cap back onto the canister. When I got the negatives back, the canister didn’t seal back up tightly around the edges after opening it (I had suspected as much), so the last frames on the roll had light leaks. This was a mystery, because the last frames should be on the inside of the spool and the first frames on the outside where they would be affected by light leaks in the seal around the outer edge of the end cap. Then I remembered dropping the film, so I must have rolled it back on the spool reverse of how the photos were taken.

The lead photo is frame 24, the last image taken, and the effect of the light leaks from being on the outer edge in the canister are pretty interesting. The rest of the images, shown in order taken, were not affected by the leaks on the edge of the canister.

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Frame 1 at Gears & Glamour with no effect from the light leak in the canister

 

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Frame 8 at the Winter Concert

 

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Frame 12 of coyotes on the other side of the river.

 

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Frame 18 of a Blue Heron on a sandbar in the river.

 

 

Love Spat

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Spunk giving Najar a sissy paw challenge with his left paw.

 

Spunk and Najar had a little spat initiated by Spunk. However, Najar is standing up to Spunk these days and in many cases she is stalking and attacking him first. Spunk doesn’t quite know what to think of being stalked and attacked, since he has been the aggressor up until we introduced Najar into the mix.

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But he was faking and surprises her with a right jab, after she took his sissy paw bait.

 

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But Najar is quick and counters with a right hook.

 

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Spunk comes back with a left, while Najar gives him a punching bag paddling.

 

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Spunk tries to sneak in a kitty kiss with an attempted take down.

 

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But Najar pushes him off and defends herself with an all claws alert.

 

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She finely pulls out the mad dogs and Spunk, seeing she is serious, starts his exit.

 

 

Spanish Chocolate

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Laurie used the directions and proportions on the wrapper from a Tres Tazas bar to make her own recipe for what comes out to about 2 gallons of Spanish Chocolate.

 

We had our annual Spanish Chocolate party to celebrate Reyes (Three Kings / Epiphany) last night.

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When the chocolate cools, it becomes more like chocolate pudding.

 

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Tristæn cutting the cheese and preparing tapas

 

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One of Tristæn’s arrangements of Spanish cured meats and queso Manchego.

 

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Plate of queso Manchego

 

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When the party was over, the cured meats were gone, most of the chocolate was eaten, and  half a plate of queso Manchego was left over.

 

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Spunk wondering where all the people went

 

Set Up Us The Bomb

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This is a photo collage I put together with a photo of my dad working in a quonset hut on the Pacific island of Elugelab in the Enewetak atoll in October 1952 while working on the first hydrogen bomb detonated on Elugelab island on November 1, 1952. The foreground is a reflection of me in a nickel plated revolver with an apparition of the revolver surrounding my face.  My dad also worked on Operation Teapot and Operation Redwing, both hydrogen bomb tests in Nevada, in 1955 and 1956. In both of those hydrogen bomb tests he was caught in the fallout from the explosions and was radioactive for quite some time after each of the blasts. I was born in 1958, and I have often wondered how much my cancer might have been influenced by my dad’s exposure to radiation from those tests.

The title of the post is a part of a quote from the 1991 arcade game “Zero Wing”. You can learn more about the game and later video from my post “Somebody Set Up Us The Bomb” from January 21, 2014.