Back To Days Gone By

DarkRoom

The last time I processed B&W prints myself was in the summer of 1982. I had done photos of the wedding party at our wedding reception. But I soon dismantled my darkroom and sold the equipment that was at my parents house after we got married. I did some photo processing at the photo studio I worked for in 1980’s until they moved their studio and didn’t reassemble the lab. From the late 1980’s up to 2003, when I went all digital, I had all my film processed and printed by commercial labs.

My darkroom is now fully functional and I have used it to process film and print photos. On my first venture back to those days gone by, I chose a few negatives that ranged from thin to dense to get back into the printing process. Printing the negatives of the “Road Closed” and cornfield with the Sandias in the background were particularly challenging because of the large ranges between light and dark — these photos were taken in heavy rain while the sun was shining (a New Mexico phenomenon).

In the last version of the “Road Closed” photo, I accidentally exposed the back side of the paper and noticed nothing was happening in the developer, so I rinsed the paper, squeegeed it off, and then exposed the emulsion side of the paper. After developing it again, there was a ghost image from the exposure on the backside of the paper that makes it look like I picked up a reflection in glass.

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Lightning Show

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I was talking to an engineer, who is also an avid photographer, about taking lightning photos when I went up to pick up a piece of equipment he had been working on. We were noting that lightning is easy to photograph, but the danger made up for how easy it is to photograph. On may way home at 11:00 pm, there was a nice lightning show over the city, so I pulled off to the side of the road in the rain, set my camera on top of the car to stabilize it (didn’t have a tripod in the car), and took a few lighting photos before I got soaked in the rain. The results are interesting.

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Adobe Sculpture

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Another garden on the Corrales Garden Tour had adobe sculpture in various states of dissolution. Adobe sculpture is a little like longer lasting sand paintings, but instead of erasing them at sundown, the adobe sculptures slowly erode back into the earth.

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Rammed Earth & Native Grasses

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“This integral arrangement — minimalist home of rammed earth walls, plus native grasses — works perfectly as a unit.” reads the introduction to the writeup on the Roger and Mary Downey Garden for the Corrales Garden Tour we went on last weekend. The house sits in the center of the property surrounded by native grasses. Since this is only late spring, the grasses are just starting to grow. The grasses are best seen in the fall when they have reached their full heights and display their varied colors — colors that are reflected in the rammed earth construction of the house.

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South face of the house. The interior shots below show the rooms from left to right in this photo.
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Artists were painting various scenes.
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Stand alone bedroom with its one bathroom.
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Entry and long hall on the north side of the house.
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Livingroom and kitchen
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Kitchen
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Master bedroom
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Master bath
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Long hall leading to the last room on the east end of the house.
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The last room on the right (east end of the house) has a display of figurines, a throw rug and a frosted glass table.
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Interesting ceiling in the last room on the right.
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Looking down the hallway back toward the entrance from the last room on the right.