France Day 29 On a Boat

June 10, 2013 Timothy Price8 Comments

The rain started falling during the night and continued all day yesterday. Our museum pass had run out, so we planned to go to some of the sites that were not on the pass, but we didn’t want to walk to them in the rain. There’s the metro, but then Laurie got the idea to take the Batobus which is run by one of many companies that run tourist boats on the Seine. The batobus’ route runs from the Eiffel tower to the National History Museum and Gardens with six stops in-between. Once you buy a pass you can get on and off the boat as much as you want throughout the day. We got on the boat at noon, got off at the National History Museum (flowers and frog photos are from the garden) and Grand Palias (the last Crystal Palace built in 1900 before wide-use of electricity made the architectural style obsolete), and then we rode the boat for a couple of laps, because the views of the monuments from the middle of the Seine are unique and were magical in the misty air and rain. We got off the boat and headed home about 8:00 pm. One person told us the Seine was 2 meters above normal — the current ran fast and the water was rough, so the ride was exciting at times. There are a lot of interesting boats on and along the Seine — many different types of tour boats, including large restaurant boats. Many barges make their way up the Seine, often sitting very low in the water as they move their loads up river; and many boats of various sizes and styles that people live in are moored along the river . The many bridges that cross the Seine looked like a labyrinth through my telephoto lens; the Eiffel tower was lacy in the misty rain, and the Palace of Justice and Notre Dam looked particularly medieval under the gray sky.

RoseViolondIngres — Rose Violon d’Ingres

France Day 28 Of Art and Architecture

June 9, 2013 Timothy Price4 Comments

One project of Henry IV was to extend the Louvre along the right bank of the Seine and join the Louvre to the Palais des Tuileries (the Palais des Tuileries was destroyed in the upheaval of the Paris Commune in 1871). The resulting addition was more than a quarter mile long and 100 feet wide making it the longest edifice in the world at the time. After the addition was completed Henry invited artists to live and work in the spaces on the lower floor, a tradition that continued for 200 years until Napoleon III put a stop to it. Today King Henry’s addition is part of the Denon Wing that houses a lot of the permanent collection, including the Mona Lisa. We made another trip to the Louvre yesterday afternoon, and the photos today include interiors, staircases, ceilings and selections of artwork from the French master’s in the Sully Wing (oldest remaining section of the Louvre) and the “Grand Format” paintings in the Denon Wing. I also included photos of two more installations by Michelangelo Pistoletto near the “Grand Format” paintings. The first one (2nd photo) shows Laurie and I in the mirrors that represent the Law (Judaism) in an installation that represents the four major world religions. The second one (4th photo) shows the world religion installation from its outside, and the third Pistoletto is the last photo in the series.

France Day 27 The Assassin

June 8, 2013 Timothy PriceLeave a comment

On our way to the Center Pompidou, we found Rue de la Ferronnerie, the street Henry IV was assassinated on. The Louvre has its contemporary elements, but they are very formal compared to the Pompidou, whose skinless superstructure is as much of a bike locked to a fence as it is a building. I also notice that once you are in the gallery spaces inside the Pompidou, you and everything else in those spaces become part of the art and exhibits: the guards who watch the exhibit spaces in their informal dress and hairstyles, the visitors, the views, the elements of the building, the sculptures and the paintings all interact to make the Pompidou a dynamic, contemporary art space.

While the Pompidou works well as a contemporary art space, it’s not the best when it comes to circulation and comfort — especially the tubes on the west side of the structure that contain the escalators that give people access to the different levels of the building. They look cool from the outside, but the are very hot, and not much fun to be in on a sunny afternoon.

The second and last photos are contemporary elements of the Louvre — the light structure of the pyramids and the heavy X of the escalators are so well ordered and formal compared to the pipes, cables and tubes that make the Pompidou look rather a mess.

France Day 26 Paris vaut bien une messe

June 7, 2013 Timothy Price7 Comments

In chapter 33 of their book “1066 and All That” W.C. Sellar and R.J. Yeatman conclude their section on the St. Bartholomew Day Massacre with “After the massacre the French King, Henry of Navarre, turned Roman Catholic and made his memorable confession – ‘Paris is rather a Mess’…” Their humorous interpretation of “Paris vaut bien une messe” describes the time as well as the original saying. After Henry of Navarre took the throne to become King Henry IV he paid off his enemies instead of waging endless, costly wars against them; he also ended the “religious wars” that he had fought in when he issued the Edict of Nantes in 1598. With the help of the minister Maximilien de Béthune, Duke of Sully, they regularized the state finances, and then they set about cleaning up Paris and restoring it as a great city. They also undertook public works and promoted education throughout France to improve the life of all people so there would be “a chicken in every pot”, which made Henry IV one of the most popular French kings ever. Although he was popular with the people, he had political and religious enemies. On the third attempt on his life, Henry IV was assassinated in 1610 by a Catholic fanatic, François Ravaillac, when Henry IV’s coach was stopped by traffic congestion in the Rue de la Ferronnerie. You can see that Henry IV was a man of good humor from the painting of him as Hercules vanquishing the Lernaean Hydra painted around 1600 by Toussaint Dubreuil. And I think he would have enjoyed “1066 and All That” as well.

We were in the Louvre and Orsay multiple times yesterday and the photos show the changing light as we walked back and forth between the apartment, the Louvre and the Orsay from mid-morning until 10:30 pm when we got home for the night.

France Day 25 Of Men and Modernity

June 6, 2013June 6, 2013 Timothy Price28 Comments

While going through the 15th and 16th century paintings from the Netherlands and Germany in the Richelieu wing of the Louvre, I started looking at the many portraits of men and wondered if I could find a painting of a man similar to the Mona Lisa. The problem with most portraits of the period is that the subjects tend to be in a detached, documentary pose and are rarely looking at the viewer. I was about to give up on the idea, but then I came across a self portrait of Albrecht Dürer which struct me as Mona Lisa-like. It was Dürer’s first painted self portrait, done when he was 22 years old and most likely to be sent to his fiancée, Agnes Frey. A marriage had been arranged for Dürer while he was living with his brother in Basel in 1493, and Dürer and Ms. Frey were married upon his return to Nuremberg in 1494. While Dürer’s self portrait predates Mona Lisa by about 10 years, he paints himself in a similar pose and light, and he engages the viewer with his direct eye contact and pleasant countenance. I may find other male Mona Lisa’s, but so far Dürer’s self portrait is the front runner.

After the Louvre we went to the Musée l’Orsay, which is an old train station converted into a museum. Photographs are prohibited in the Orsay, but I managed to get a shot of the inside and the shot through the clock looking at the northern skyline of Paris. One commentator described train stations as being secular cathedrals to modernism with the clocks being their alters. In the evening we went to the Center Pompidou, and looked at the modern art. It’s interesting to go from the Louvre and Orsay’s formal, hands-off settings to the Pompidou’s modern, more interactive environment. You get a nice view of the Paris skyline from the Pompidou and the last photo with the Eiffel Tower in the distance is from the 4th level inside the Pompidou.

France Day 24 Marie Antoinette

June 5, 2013 Timothy Price8 Comments

The Louvre and many other museums are closed on Tuesday, so we went to the Crypt under the plaza in front of Notre Dame. where they have Roman and medieval ruins and really nice interactive presentations on the history of Paris. Than we went to the Palace of Justice where the Sainte Chapelle and Ile de la Cité Conciergerie are. There are an impressive set of gates at the Palace of Justice.

Sainte Chapelle is a chapel that is stained glass on all sides. They really pushed the limits of gothic cathedral style construction with Sainte chapelle. From the outside it is buttressed with the stained glass set deep in between the buttresses so you don’t realize how much it is all stained glass until you get inside. You enter at the lower floor to a brightly painted vaulted room that supports the floor of the chapel. Then you climb a narrow spiral staircase and enter into the tall, narrow naive and a kaleidoscope of stained glass.

The Conciergerie was used as the main prison during the French Revolution and housed famous prisoners including Marie Antoinette. The literature said they would seat 2000 people in the large, vaulted hall, which has several large fireplaces in the middle ages. There were several little rooms set up to recreate the sense of the time, and room with the names of the 2600 guillotined, and a the room where Marie Antoinette was held until her trial and execution.

In the afternoon we sat out on the roof and watched people on the street.

France Day 23 Hittin’ you with my best shot!

June 4, 2013 Timothy Price11 Comments

We got into the Louvre when it opened, rushed to the Mona Lisa and there were only about 50 or so people crowded in front of her, making it easy to get up to the rope to get the closest view possible. The Mona Lisa is the perfect portrait of the perfect model in the perfect pose. She is like a self portrait of how everyone would like to see themselves, and the reflections in the multiple layers of glass protecting the Mona Lisa adds to the sense of the portrait as a reflection of our own portraits.

After three hours in the Louvre we had browsed the entire Italian and Spanish painters wing and then went through the exhibit on Egyptian art and culture. In the Spanish sections, there was a small exhibit of plates by Goya, where I got the photo of the woman looking out the window that almost matched Goya’s woman on a horse.

One thing really nice about our apartment being so close to the Louvre is that we go back to the apartment and fix lunch before we go out again. Laurie made crepes for lunch that were wonderful, and then we strolled through the Tuileries on our way to the Musée l’Orangerie where they have expressionist paintings by Cézanne, Renior, Monet, Picaso, Rousseau, etc. Along the way we saw goats mowing a moat, a teenage bird bigger than its mother still asking her to feed it, duckings napping, flowers starting to bloom, iris and a few roses.

France Day 22 Virtuosity on Parade

June 3, 2013 Timothy Price11 Comments

In the afternoon we walked to the Cathédrale Sainte Croix des Aemeniens about 3 km east of our apartment to attend three recitals. Along the way we saw a lot of interesting triangular buildings, some women on a building holding up a balcony, and we walked through a large flea market before we got to the church. The church was old and not in the best repair, but the acoustics were phenomenal. The first recital was Youn Soon Lee on piano. She played Beethoven so well her playing was like listening to an orchestra. The pieces she played were light and showy with lots of flashy runs and arpeggios that she would build up, pull down, build up, pull down and build up again until she brought the pieces to their explosive climaxes. Ms Lee’s performance was magnificent.

After the first recital we walked down to a restaurant/bar and got coffee before the next recital. The area we were in had a lot of art studios and private art galleries, the bars were filled with people, and the streets bustled with people walking, riding bikes and navigating cars through the crowds making their way to and from the flea market.

I didn’t think we could hear much better than Ms. Lee’s performance, but Miran Dévétak’s interpretation of List and Fauré was nothing short of phenomenal. List was heavy, complex and melodic, punctuated with fits of quick runs and dynamic, loud sets of chords. Fauré was a little lighter with a modern (1900sh) rhythm, and very quick, complex fingerings that Mr. Dévétak executed flawlessly.

The third recital was a violin/piano duet by Eun Bi Gang on violin and Jean Dube on piano. They were also fantastic performers. Ms Gang started by doing a solo of Martinon Sonatine No 5 op 32. The piece had some amazing secondary rhythms that she played under the melody, which was really remarkable. Mr. Dube accompanied her on the piano on Bach’s Sonate 2 Andante, Mozart Concerto No 5 1st Movement and Tchaikovsky’s Concerto op 35 1st movement.

On our way to Notre Dame in the morning, we came across a bird market that had cages and cages of small parrots, parakeets and finches. While I was photographing flowers (the poppies were huge) and roses in the garden behind Notre Dame, I came across an early bird getting worms.

France Day 21 Where’s Henco?

June 2, 2013 Timothy Price2 Comments

We went to an organ recital at Notre Dame by Henco De Berg last night. Notre Dame’s organ is the most famous pipe organ in the world, according to the handout. Mr. De Berg played pieces by Charles -Marie Widor (1844-1937), François Couperin (1668-1733), Olivier Messiaen (1908-1992) and then he played an improvisation on 2 gregorian themes. Several people in the audience couldn’t take the heavy, modern pieces and improvisation, but I found them interesting a quite fun to listen to. There were a lot of sustained, very low and dissonant chords, but when I closed my eyes, I could hear the other notes played under the sustained cords and there was a slight stereo effect as the higher notes swept back and from one side of the pipes to the other. Since the organ sits about 30 feet about the floor, the organist is quite anonymous. Even when he stood to acknowledge the applause, you could hardly see him in the low light against the background of the organ.

Before we went into the recital, I got a photo of one of the roses blooming behind Notre Dame.

On our way back to the apartment,the sun was low and very orange over the Seine, and it cast a soft orange light on the town hall that complemented the orange turf they had in front of the building. The bicycles in the fifth photo are all over Paris in what they call “Stations Velib'”. The city is promoting use of these bikes to help reduce pollution. There is a central pay station that allows you to get a bike. The first 1/2 hour is free, then it costs 1 Euro per 1/2 hour with a max of 4 Euros for 4 hours or more. There are 24 Stations Velib’ in our arrondissement.

Laurie wanted to take a different route home, so we walked up to the Pompidou center and headed west towards Opera. We walked by some modern buildings and a site where a giant shopping center is under construction. There were a lot of young people getting ready to party, others were just hanging around, while others were skateboarding at a fountain. Among the many activities along the way police argued with a group of young men, people who looked down and out walked around collecting stuff off the street, other groups of people off in doorways argued and yelled at each other — activities that made it seem like it wasn’t the safest area to be in at 10:00 pm — so we dropped down to a main street that took us back by the Louvre and connected with Opera.

We got out first thing this morning and walked back to Notre Dame to attend the 8:30 service. On the way back the apartment we popped into a couple of churches and listened to the music for a few minutes. We dropped into Eglise Saint Germain l’Auxerrois during the offertory, and the organist played a fantastic piece that sounded heavenly. Then we stopped in L’Oratoire du Louvre, which turned out to be a Protestant church that goes back to 1611. They were finishing a baptism and then a guy sang a solo accompanied by the organ.

France Day 20 The Louvre

June 1, 2013 Timothy Price6 Comments

If you want to see a nice, close-up view of the Mona Lisa, look her up on-line or in an art book, because you can’t get a good look at her at the Louvre.

The Louvre has a current exhibit of a large-scale series of installations, encounters, theater performances and public activities by Italian artist Michelangelo Pistoletto (1933, Biella). The exhibit is titled Year 1: Earthly Paradise, and it marks “the transition into the new era of human, social, and cultural metamorphosis that was celebrated all over the world… The exhibition embodies three different time frames: the past, in the context of a retrospective; the present seen in the mirror works reflecting the visitors; and the future in a great obelisk topped with a triple loop, a symbol of this ongoing revolution. Thus the sign of the “third paradise” adorns the pyramid… Spirituality, figuration, the breaking down of boundaries between the arts, social solidarity, and the merging of life and art: these are the themes permeating the thinking of Michelangelo Pistoletto…”

Every other photo in this set of photos is a photo of a Pistoletto installation. Most of these are from the mirror installations, but there were video installations where we were live in the video along with all the recorded video. One installation was neon in different languages in the medieval part of the Louvre and the last installation we saw was a room of mirrors. I also included a shot of Laurie in the tiny elevator in our building as it fit well with Pistoletto’s idea of past and present.

If you haven’t figured out that the Louvre is crowded, it is. It’s very difficult to get a photo of a painting without visitors in it, except for occasional breaks in the crowd and photographing ceilings. So I just view the crowd as part of the art experience.

We went to Handel’s opera Guilio Caesare last night. The orchestra used instruments from the period, which blended particularly well with the voices; the sets were monumental; the performers were fantastic. We were in a box seat slightly to the right of center stage on the first mezzanine level with 5 other people. The theater was packed. We arrived 40 minutes early, which allowed me to get some photos of the interior of the theater with my iPhone (last photo).