Thoughts Turned Cold

While walking in a dark forest in southern Germany on March 15th, I was caught in a sudden cold and violent storm a mile from home. As I trudged through the trees, my boots sinking into the soggy soil, I heard the faint cries of spirits and the mournful lamentations of ghosts swirling through the trees. The cold wind carried their complaints about a dark and violent past through the forest, still echoing sadness about the state of the world. As I scraped mud from my boots and wrung out the rain from my soaked hair, I bid farewell to the ghosts of the forest’s dark past, leaving them outdoors to their eternal lament.

The lyrics are a mixture of English and archaic Goth (somewhat reminiscent of Latin), which seemed appropriate after getting caught in a violent storm in a dark, ancient forest in southern Germany. The chorus is archaic Goth, and the bridge and outro are the translation of the chorus. The pre-outro, or second bridge, is the translation of the Goth used in the third verse.

Pre-dawn

Sunrise

Sunset

Thoughts Turned Cold
Timothy Price

[Verse 1]
Thoughts turned cold, face stung by frozen rain
Plagent wind lamented years of weltschmerz
Checked the date, indeed, the Ides of March march on

[Verse 2]
Archaic thoughts fall into foggy bottoms
Like dark matter filling ancient voids
Persistent question placed on repeat
Oh my god, what have they done?
What have they done?

[Pre-Chorus]
As steps sank into soggy soil, sad spirits sang

[Chorus – Archaic Goth]
Weltschmerz ululant repline mit plangor keen
Susurrate atrabilious lacrimonias pang
Misosophy atramentous luctiferous ainamma jah allaim

[Bridge -Translation of the chorus]
A melancholic sadness about the state of the world
Let out a loud cry to feel a sorrowful discontent
With a loud lemanting wail for the dead
Whispers meloncholic full of tears reget
Hatred of wisdom black as ink bringing sorrow to one and all

[Verse 3]
Scraped spirits off my boots, ploration in querimonious woe
Wrung Nixie from my hair, Kelpie slid to Undine slabs dispersing under foot
Shut the door leaving gasts outdoors, tenebrific exanclate

[Pre-Chorus]
Steps sank into soggy soil, sad spirits sang

[Chorus]
Weltschmerz ululant repline mit plangor keen
Susurrate atrabilious lacrimosa pang
Misosophy atramentous luctiferous ainamma jah allaim

[Pre-Outro – Translation of verse 3]
Loud weeping with complaints of great sorrow
Water spirits shape-shift to elemental ghosts
Making darkness, struggling through suffering

[Outro]
A melancholic sadness about the state of the world
Let out a loud cry to feel sorrowful discontent
With a loud lemanting wail for the dead
Whispers meloncholic full of tears reget
Hatred of wisdom black as ink bringing sorrow to one and all

Stories Told A Million Times

I was thinking about how the memory of the present is easily lost in the shuffle. The future is unpredictable other than the inevitable, but the past has a certain clarity. Stories from the past want to be told, but as memories from the present become lost, so does that last time the stories were told, creating a new personal paradigm — the stories will be told over and over and over and over again. 

Dawn

pTerodactyl at dawn

Stories Told A Million Times
By Timothy Price

[Verse 1]
Eyes no longer see the glory
Unable to focus on the future
They dwell on the past
Distant memories from years gone by

[Chorus]
Have I ever told you the story…
Yes, dear, you have. A million times…
How about the time I…
Yes, dear, you have!

[Verse 2]
Experiences lived years ago
Are as clear as yesterday
While yesterday seems a distant past
Long forgotten, swallowed by the mist

[Chorus]
Have I ever told you the story…
Yes, my friend. A million times…
How about the time I…
Yes, my friend, you have!

[Bridge]
Mind goes numb
Speech grows dumb
Stories once told
Now on repeat
Played over, and over
And over again

[Chorus]
Have I ever told you the story…
Yes, grandpa. A million times…
How about the time I…
Yes, grandpa, you have!

[Outro]
Will you remember my stories told
When I’ve passed on, dead and gone?
Stories told a million times
Do they get retold or die with the old
Buried and lost to the living
Told and retold among the dead

Eastside Coyotes

Jake and I were walking on the riverbed at South Beach this morning when a couple of coyotes appeared on the east side of the river and started barking at us. They had a lot to say. A few weeks ago, the three coyotes we often see on the west side of the river walked down on the riverbed with us to get a drink of water. They were silent, and did all their business like, “Don’t mind us!” Jake and I were standing about 25 feet from the westside coyotes.

Dawn

Dusk. We’ve had a little rain the past few nights, so the river is up a little from the runoff.

Pilot Light

Dawn

On my way to light a pilot, I saw a pilot light a balloon.

Spunk: “Hey Paparazzo! Hold your stupid camera level! I’m feeling The Moody Blues trying to hold on to this post!”

Paparazzo: “Oh! Are you feeling like ‘Ride My See-Saw’?”

Prickly Pear

Sunset

Teagan’s Storm

Lately, when I write a song, I make a version of the music for me and a version for Teagan. Teagan’s version of The Storm is difficult because it has a wide vocal range and requires a powerful voice. Teagan nailed the range with her powerful vocals.

The Storm
by Timothy Price

[Verse 1]
Riding on the edge of night
Rainbow storms play on left
Sun shines on the right

[Chorus]
Light bounces off gray clouds
Shadows cling to the ground
Dead trees stare at useless rain
Much too late to ease the pain

[Verse 2]
Standing against the wind
Vultures circle overhead
Wishing my demise

[Bridge]
Angels ride
On lightning bolts
The gods argue
Their thunder rolls
Primary colors
Come undone
Trying to calm
The violence
Of the sun

[Outro]
Light bounces off gray clouds
Shadows cling to the ground
Dead trees stare at useless rain
Much too late to ease the pain

Dreaded DST 2025

Dreaded DST 2025. Lyrics: Timothy Price. Music: Timothy Price with AI. Vocals: AI T&T.

My annual song for changing to daylight saving time. I used AI to generate the music from my lyrics based on my guidlines for the key, style, meter where to place vocies, etc. I also had AI create voices for me and Teagan, and named our AI duo “AI T&T.” I used AI to create the images and used AI to animate the images for the video.

We’ve also been having weird weather that doesn’t play well with my joints on the eve of the dreaded DST.

Still Crazy @ 66

After I read Why people over the age of 55 are the new problem generation: Baby-boomers are keeping their bad habits into retirement in The Economist in early January, I was reminded that I had a song I had started working on a few years ago called “Still Crazy at Sixty!” Keep in mind that 55-year-olds are the end of the Baby Boom. People aged 66 and 67 are the peak of the Baby Boom.

“Still Crazy at Sixty!” was inspired by Ron Blood, bass player extraordinaire, who suggested that I should write a song about still being crazy at 60. I wrote the lyrics based on me, Joel, and Ron growing up in New Mexico and our various adventures through our youth and adult lives. I didn’t like how the song came out in 2019 and never published it. I messed with it three years later when we turned 63, but still didn’t like how the song turned out. With the inspiration of being part of the new “Problem Generation”, I pulled out the song again, updated the lyrics, but I was frustrated again, still stuck creating another sorry tune, so I had AI help me with the melody and the music. A fresh perspective from an artificial brain made all the difference.

Cranes @ dusk

Winter’s Moon

Winter’s Moon: Lirycs by Timothy Price. Music and Vocals by Teagan Ríordáin Geneviene.

The song for this year’s Winter Wolf Moon is very special because Teagan came up with the melody and music using my lyrics. In the past, I wrote the lyrics and music for the songs that Teagan sang for me. Teagan had to learn the melody before she would record her vocals for me to mix into the song. 

I wrote the lyrics for Winter’s Moon in early November 2024 and sent them to Teagan to review. She was inspired and came up with the melody and played the piano as she sang. I added acoustic guitar to the song, and we used NightCafe to produce images based on the lyrics and music.

Then I made two more versions of the song by adding electric guitar, bass, and percussion for a Metal version of the song, and then I made a version with only acoustic and bass guitar. I will post those videos later.

This has been a really great collaboration, and I am so impressed by the melody and music that Teagan produced for the song. I am also grateful that Teagan is willing to work with me on music.

Happy Winter Wolf Moon!

You can see Teagan’s companion post at https://teagansbooks.com/2025/01/13/music-collaboration-tim-price-the-rise-of-mnemosyne-part-1/