France Day 21 Where’s Henco?

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We went to an organ recital at Notre Dame by Henco De Berg last night. Notre Dame’s organ is the most famous pipe organ in the world, according to the handout. Mr. De Berg played pieces by Charles -Marie Widor (1844-1937), François Couperin (1668-1733), Olivier Messiaen (1908-1992) and then he played an improvisation on 2 gregorian themes. Several people in the audience couldn’t take the heavy, modern pieces and improvisation, but I found them interesting a quite fun to listen to. There were a lot of sustained, very low and dissonant chords, but when I closed my eyes, I could hear the other notes played under the sustained cords and there was a slight stereo effect as the higher notes swept back and from one side of the pipes to the other. Since the organ sits about 30 feet about the floor, the organist is quite anonymous. Even when he stood to acknowledge the applause, you could hardly see him in the low light against the background of the organ.

Before we went into the recital,  I got a photo of one of the roses blooming behind Notre Dame.

On our way back to the apartment,the sun was low and very orange over the Seine, and it cast a soft orange light on the town hall that complemented the orange turf they had in front of the building. The bicycles in the fifth photo are all over Paris in what they call “Stations Velib'”. The city is promoting use of these bikes to help reduce pollution. There is a central pay station that allows you to get a bike. The first 1/2 hour is free, then it costs 1 Euro per 1/2 hour with a max of 4 Euros for 4 hours or more. There are 24 Stations Velib’ in our arrondissement.

Laurie wanted to take a different route home, so we walked up to the Pompidou center and headed west towards Opera. We walked by some modern buildings and a site where a giant shopping center is under construction. There were a lot of young people getting ready to party, others were just hanging around, while others were skateboarding at a fountain. Among the many activities along the way police argued with a group of young men, people who looked down and out walked around collecting stuff off the street, other groups of people off in doorways argued and yelled at each other — activities that made it seem like it wasn’t the safest area to be in at 10:00 pm — so we dropped down to a main street that took us back by the Louvre and connected with Opera.

We got out first thing this morning and walked back to Notre Dame to attend the 8:30 service. On the way back the apartment we popped into a couple of churches and listened to the music for a few minutes. We dropped into Eglise Saint Germain l’Auxerrois during the offertory, and the organist played a fantastic piece that sounded heavenly. Then we stopped in L’Oratoire du Louvre, which turned out to be a Protestant church that goes back to 1611. They were finishing a baptism and then a guy sang a solo accompanied by the organ.

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France Day 9 Marseille & Bach

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We went to Marseille today. Marseille is beautiful, bustling port city that has lots of energy and lots of people from all over the world in the streets. Since Marseille was founded by the Greeks over 2000 years ago, a the locals think of Marseilles as the true capital of France. There is a lot of old architecture, and a couple of churches built in neo-Bizintine style with the alternating color of the stones and mix of Eastern and Western architectural styles. We have shrimp for lunch, which was great.

We got back from Marseille just a little late for Lundi de Pentecôte, a concert of Bach’s BWV 173 Erhöhtes Fleisch und Blut et 184 Erwünschtes Freudenlicht at the St. Jean de Malte Cathedral. Bach wrote the music for Pentecost, and fortunately the priest was still explaining the music when we walked in, and there were a few open seats, so we didn’t miss a note. The performance was fantastic, and sound in the 13th century cathedral was outstanding. The musicians played baroque  instruments and the vocalists were phenomenal. They also had a couple of modern pieces which were performed by three people playing the pipe organ simultaneously. The pieces were Le jar din suspendu by Jehan Alain (1911-1940) and Le vent de l’Esprit: sortie se la messe de la Pentecôte by Olivier Messiaen (1908-1992). The modern was not the type of organ music I would seek out, but it was well performed and interesting. The orchestra and vocalists got a standing ovation, and we brought them back for an encore.

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I was studying for the French test tomorrow while listening to the choir rehearse Messiah pieces with the Symphony Orchestra of Albuquerque at Heights Cumberland Presbyterian Church. On the way home I started thinking about what kind of effect studying while under the influence of Handel might have. Let’s say there’s a question like “Why did the south lose the Albigensian Crusade?” I could answer “They were like sheep!”  and that answer would be correct.

The Choir and SOA are performing selected pieces from Handel’s Messiah this Saturday, March 9  at 7:00 pm at Keller Hall at UNM and Sunday, March 10 at 2:00 pm at Eastern Hills Baptist, 3100 Morris St NE.

 

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