2 Score, 6 Gone By

THE WINDOW IN MY DREAMS

On this date 6 years ago, I posted the photo essay below on my T&L Photos website that was my final project for one of my photography classes at the university back in 1981. The introduction and concluding photos in the series were typeset on paper by a local typesetter, I photographed the pages with my 4X5 view camera and reversed processed the negatives into positives so when I printed the sheet film I got white letters on a black background. I made each photo with a combination of long exposures and manually triggered flashes to capture movement with some clarity in the images. I had to carefully calculate each exposure and plan the details of each shot to successfully execute each photograph because I could not preview each shot before I processed the negatives. Only one 4X5 negative was exposed for each print in this series. The project was a major undertaking.

I noticed the writing was not my best back then. I didn’t have a personal computer, so I didn’t write nearly as much as I do today. These days, I would never use “Sometimes I venture into the deepest shafts of my mind, into a room…” How clunky is that? I would change it to something like “Sometimes I wandered through the deepest recesses of my twisted mind, into a room…”

Click on the gallery to see the photos larger.

I would rewrite the conclusion, as well:

“As the images behind the window faded, I turned to find my way back to reality. Teetering on the edge of consciousness, I looked back to see my shadow hanging in the window, I was guilty of the execution of photography.”

The Week: March 23rd — 29th

Last week’s daily photos found some nice surprises, especially with the kittens trying their paws at film photography.  Photo of the Day, Etc for the week of March 23rd — 29th includes:

March 23rd: The kittens, especially Spunk, get into old-fashioned film photography — http://photos.tandlphotos.com/blog/2015/3/when-kittens-take-up-photography

March 24th: White tulips — http://photos.tandlphotos.com/blog/2015/3/yesterday-today

March 25th: Another personal record and a happy kitty — http://photos.tandlphotos.com/blog/2015/3/02-48-20-on-the-48th-climb

March 26th: Spunk tries paw, tooth and nail at developing film — http://photos.tandlphotos.com/blog/2015/3/spunk-does-film

March 27th: Morning Angel — http://photos.tandlphotos.com/blog/2015/3/angel-of-the-morning-angel

March 28th: Smoke and personal records — http://photos.tandlphotos.com/blog/2015/3/smokin

March 29th: Spunk has positive reviews of his negatives — http://photos.tandlphotos.com/blog/2015/3/positive-notes-on-negative-development

Light Up My Life

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Since I don’t have a 220 volt outlet in the house, other than the dryer, I had to lug one of my dad’s old, 75 pound linear amplifiers to my neighbor’s machine shop to plug it into his 220 volt outlet — the tubes glowed. Like film photography and manually operated machining lathes and millers, high powered transmitting tubes are so 20th Century.

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A Camera with Character

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I bid on this Canon F-1 on ebay, it was cheap, and I was expecting to be outbid because Canon F-1s are popular cameras on ebay. I forgot about it until I got an email that I won the bid seven days later. The camera looks rough with a lot of brassing, a few dents and a few dings, but it works great and the light meter is right on accurate. It has a motor drive, which is really cool — “chunka, chunka, chunka…” at five frames per second when I hold down the shutter release. Interestingly enough, the F-1 will not trip my studio flashes or modern flashes, but it has no trouble tripping my old Metz CT-60 flashes. I included four photos that are scans of negatives taken with the F-1.

I was downright domestic and quite handy all weekend. I made a double batch of pork roast with potatoes, carrots and celery to get some food stocked up in the freezer. I had a stark reminder about how busy we’ve been when I opened the door to discover I had more film than food in in the freezer — it was definitely time to do some cooking.

I also finished organizing the catio, and got the rest of the stuff out of the armory, and started preparing to build a darkroom. I ordered a walk-thru cylindrical revolving darkroom door, which should arrive in a couple of weeks, and started drawing lines on the carpet to mark out where the walls and cylindrical door will go.

The nature of remodeling projects is that I always have to deal with deferred maintenance as part of each remodeling project, so I repaired the roof on the armory, and then put re-purposed corrugated steel on the exterior, south-facing wall to cover up the deteriorating exterior wall board that’s been blasted by the sun for the past 24 years. I also covered up the window in the south wall, since I don’t need a window in the darkroom. The re-purposed corrugated steel gives the south wall of the armory a colorful, ghetto-like look between the white and silver pieces, and the rusty spots.

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Attempt at studio flash with F-1. The camera would not trip the flash, but the results were interesting. Kodak MAX 400 film that expired in 2004.

 

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Sandias with Jetis and Rio Grande in the foreground. Fuji 200 print film

 

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Rosencrantz through the screen. Kodak MAX 400 print film that expired in 2004

 

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Tullips Kodak MAX 400 print film that expired in 2004

 

 

 

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Double batch of Pork Roast with potatoes, carrots and celery.

 

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More film in the freezer than food. In truth, there is more green chile by volume than film, but that’s about it.

 

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Started drawing out on the floor where the walls and walk thru-cylindrical revolving darkroom door will go.

 

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I put up re-purposed corrugated steel on the outside of where the darkroom will be, covering up a window in the process. I got out the level just because that’s what one does when remodeling, but as most everything in NM the building is “not even!”