France Day 9 Marseille & Bach

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We went to Marseille today. Marseille is beautiful, bustling port city that has lots of energy and lots of people from all over the world in the streets. Since Marseille was founded by the Greeks over 2000 years ago, a the locals think of Marseilles as the true capital of France. There is a lot of old architecture, and a couple of churches built in neo-Bizintine style with the alternating color of the stones and mix of Eastern and Western architectural styles. We have shrimp for lunch, which was great.

We got back from Marseille just a little late for Lundi de Pentecôte, a concert of Bach’s BWV 173 Erhöhtes Fleisch und Blut et 184 Erwünschtes Freudenlicht at the St. Jean de Malte Cathedral. Bach wrote the music for Pentecost, and fortunately the priest was still explaining the music when we walked in, and there were a few open seats, so we didn’t miss a note. The performance was fantastic, and sound in the 13th century cathedral was outstanding. The musicians played baroque  instruments and the vocalists were phenomenal. They also had a couple of modern pieces which were performed by three people playing the pipe organ simultaneously. The pieces were Le jar din suspendu by Jehan Alain (1911-1940) and Le vent de l’Esprit: sortie se la messe de la Pentecôte by Olivier Messiaen (1908-1992). The modern was not the type of organ music I would seek out, but it was well performed and interesting. The orchestra and vocalists got a standing ovation, and we brought them back for an encore.

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France Day 4 Paris Free Day

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We had a free day today, which means we didn’t do anything as a class, so everyone was on their own to do whatever they desired. Laurie and I walked over to Norte Dame and sat in the garden behind the cathedral. There was free Paris WIFI available so I was able to finish placing a photo order that I got right before we left for France, and Laurie worked on an ad to try a get people to meet with us and exchange French conversation for English conversation. The interchange was called an intercambio when we were in Spain, and we would hang ads on public bulletin  boards where we lived, at language academies and Irish pubs in Spain. So we figured we could do the same in Paris, except, once we got everything prepared and started walking the streets, we noticed that there were no public bulletin boards or kiosks around.

The University of Paris, Sorbonne is very near our Hotel, so we asked the guards at the front door if there were any public bulletin boards at the university to hang notices. They told us to go up the side of the building to 17. We asked the guard at entrance 17 and he said yes, up by the next entrance. The next three guards at the next three entrances looked confused at our request and said we had to have university IDs to get in. We walked the rest of the way around the building, which is huge, taking up several blocks, but there were no entrances on the west side of the building. We asked a student if he knew where any bulletin boards were, but he wasn’t from Paris, so he didn’t know. He said they had them in Lyons, but he hadn’t seen them in Paris. I looked on line and found a language interchange website that’s kind of like a Craig’s List for finding people to exchange languages with, which might be our best option.

In the late afternoon we dropped by a little grocery store and bought some food, then we walked back to Notre Dame and sat on the bleachers facing the façade, looked at the church and watched other tourists while we ate dinner. I had photographed a lot of the gargoyles with a telephoto lens when we were there in the morning, but then after we ate, we walked all the way around the cathedral, and I took more photos of gargoyles. The sunset was brilliant as we crossed the bridge on our way back to the hotel. When I turned back to look at Notre Dame from the other side of the bridge, the light was perfect, but I had a telephoto lens on the camera so I couldn’t get the whole church in a single frame. I didn’t have time to change lenses because I’d lose the light, so I took 9 quick shots in a grid and stitched them together. I got the color and feeling of the light, and the building is straight, except for the towers ended up leaning back in the finished photo.

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Must Ask You To Leave

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I had to meet a guy at a call center, and while I was waiting I noticed the Sandias reflecting on the building were nicely cubist, so I snapped a photo. I waited almost 10 minutes after I took the photo for the person I was meeting to show up. Soon after he came out, a security guard came walking up from the other direction and when he got up to where we were standing, he told me “Photographing the building is not allowed. I must ask you to leave!”  The person I was meeting with said “Oh! Really? I didn’t know that!” I left right after that, but I find these supposed “no photographing buildings” policies to be very strange — when I looked up the address on Google maps, there was a nice, extremely clear satellite image of the building, and “street view” images of the building. When I got home, I looked up Google Images using the address and found a lot of photographs of the building that were taken on the property, as well. Despite what the guard told me, photographing the building is very much allowed, because there are images of it all over the Internet.

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Bite Me!

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The tulips were chomping on a branch from a trumpet vine yesterday morning. We went to the first lecture of the Institute of Medieval Studies spring lectures series, “Medieval Myths & Monsters” last night. The speaker was Leslie Webster from the British Museum and her topic was “Myth and Mission: The Riddle of the Franks Casket”. It was a wonderful lecture. Tonight there will be two lectures. The first lecture is by Tomás Ó Cathasaigh from Harvard University speaking on “Early Irish Origin Legends”. The second lecture is by Leslie Webster on The Staffordshire Treasure. The lectures begin at 5:15 in Woodward Hall at UNM. Woodward Hall is just west of the Student Union Building, across from the Fine Arts Building. As you can see from the photo below the first lecture was well attended, but there were still lots of open seats.

 

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We got a lot of wind and dust on Monday, and sporadic rain, wind, snow, and hail yesterday, making the light really strange at sunrise and sunset. I think some places in the metro area might of got measurable precipitation, but it didn’t register on our rain gage. “¡Cuatro gotas!”  (not much rain) as the Spaniards would say —  just enough to leave muddy rain drops all over our cars.

 

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Easter Sunday in B&W

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The Easter Services at CUMC were beautiful, with the young people acting out the resurrection narrative, a live bunny at the children’s sermon, fantastic music by the Chancel Choir and a wonderful Sermon by Reverend Scott Sharp.

 

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Holy Moses

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I had my day all planned out — go to the second service, get material on the way home to finish the door, do more watering, herd cats — or so I thought. After the service, which had a wonderful liturgical dance to “Moses”, Jerri asked me if I had gone to their concert at Keller Hall last night and photographed it — I hadn’t, so she asked me if I could photograph the concert this afternoon. The concert was great. A mixed Choir, with the  Symphony Orchestra of Albuquerque, performed the Easter selections from Handel’s Messiah, then the SOA played Brahms’ “Academic Festival Overture” and Camille Saint-Saens’ “Piano Concerto No. 2 in G Minor,” with Natalia Tikhovidova on piano. Ms Tikhovidova is a phenomenal pianist and the “Piano Concerto…” was very lively and showy. The SOA and choirs will do another performance on March 17, 2013, 2:00 pm at John XXIII Catholic Community, 4831 Tramway Ridge, NE.

I started out the photo session standing with the choir in the beginning of the concert, so I got a super-wide angle photo from the choir’s/orchestra’s point-of-view, with the audience in the pews.  The percussionists were fun to watch because they followed their music with such intensity — there were times they played only one or two notes, so they obviously didn’t want to miss them.

Although I had to lay aside my well-laid plans for the day, the concert was well worth it.

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666 Route 66

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Today is my 666th consecutive post since I moved to Word Press. The number 666 is dear to me because I woman once called me the Antichrist in a public meeting (I really, really made her mad). Later I used the same formula that Boris used in Tolstoy’s “War and Peace” to add up the numbers that corresponded to the letters in his name to see what they added up to, which turned out to be 666, making him think he was the Antichrist. Guess what? The numeric values of my full name also added up to 666. But it’s all for fun, as Nero was thought to be the Antichrist referred to in the Book of Revelations, and apparently, the Mark of the Beast could be 606 or 616, so all the superstition about 666 may all be for naught. The State of NM changed NM Highway 666 between Gallup and Shiprock to US Highway 491 a few years ago so they wouldn’t be mixing church and state.

So when Bruce and I were discussing what I should do for photos for this special post, he gave me the idea to google 666 Route 66. There are were actually four choices between SW, NW, SE and NE depending on which side on Central Avenue your on, east or west of the railroad tracks. East of the tracks was a hotel or the building the Baptist Convention used to be in. West of the tracks is El Rey Theater and a parking lot. If the Baptist Convention was still at 666 Route 66, that building would have been the photo of the day, but it’s a boring building and I have no history with it. So the El Rey got it. I go way back with the  El Rey. When I was a kid I went to movies there, and about 20 years ago we went to see a band friend liked — the band sucked but our friend was entertaining. Around the same time, we went to a couple of salsa dances, performed flamenco, and  we went to concert by Bela Fleck and the Flecktones at the El Rey. Bela Fleck was fantastic and he changed my opinion of the banjo forever. I still get mail from the Flecktones every now and then.

At lunchtime Bruce and I walked over to the El Rey Theater and he posed for me on the spot that would be 666 Route 66 SW. I used a super-wide angle lens, which made Bruce look a little like the Terminator, which was perfect. The we went around behind the building to find the back wall colorfully painted with an outline of the Virgin de Guadalupe on a back door — super!  Then we photographed our way back to the office through the well painted and graffitied alleys.

 

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