Letters from Madrid – Architecture & Planning

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Sociedad General de Autores y Editores (S.G.A.E.) Building

After my first impressions of the museums, I turned to my initial impressions of architecture and planning. As you will see, the large round abouts where one feature we never had to deal with in Albuquerque and made an impression on me the first three months we were in Madrid.

 

April 18, 1996

Architecture and Planning
Architecture and planning is quite interesting in Madrid.  In the middle of the centro, where we were in a pension for two weeks, the buildings are old, streets generally narrow and winding, making a quasi radial pattern resembling a messy spider web starting or ending at the Plaza Mayor.  As you head any direction from the centro, you start getting a mix of old and new buildings, wider streets, and somewhat less winding and twisting roads.  Of course, they have those stupid round abouts everywhere, which to cross them makes you really go “round about”.  You will be walking a long a beautifully landscaped median, in the middle of a large boulevard, that has pathways, sculptures, flowers, birds, cafe bars and playgrounds, and then you come upon the round about.  These things are huge, with beautiful fountains, gardens, sculptures or memorials in the  center and, perhaps, a half a dozen or more streets intersecting them from all different directions.  To get across these things you have to either go around them or, in some cases, under them (Anyone would be an absolute fool to try and walk across even a small round about in Madrid. Traffic is fast and does not stop for pedestrians unless there is a red light).   Timing the lights at these things must be a nightmare,.  I don’t think they have quite figured it out yet  either (judging from the number of police officers directing traffic at the rush hours).  You have to cross a lot of streets to get around the round about and continue on your way.  Traffic will  have a red light at the street your are crossing, but the crosswalk will still have a red light for a long time, because of all the traffic turning off the circle.  Across the median there will be a green walk sign, but you still have a red.  Your walk finally turns green, the one across the median is flashing green, meaning its about to turn red.  If the street is less than 3 lanes you might make a run for it, if it is any larger you don’t.  Once traffic gets a green light in Madrid, they are off like Indy cars.  All vehicles around here have amazing acceleration.  Back to the layout.  The suburbs have taller buildings, more of a grid street pattern, and the farther you go out from the centro the more rows and rows of high rise apartment buildings you see.

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Round about with a more modern fountain in the center

There is a lot of construction and renovation going on all over Madrid.  In the centro buildings seem to have 3 obvious states of renovation before demolition and replacement.  The first is the structural elements of the building are sound and the interior and general exterior are in reasonable condition, but the spires, cornices and other ornate features around the roof, doors and windows need work.  You will see whole tops of buildings covered with nets to keep pieces of ornateness from falling to the street as the building is worked on.  The second phase, which you see a lot of, is the exterior and facade are in reasonable condition, but the entire interior is gutted as they remodel it.  The third level is stripping the interior and exterior down to the superstructure and rebuilding.  And, of course, if the building is in bad enough shape they raze it and leave an empty space between the buildings on either side until they rebuild.

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Palacia de Comunicaciones also called Palacio de Cibeles. The Cibeles Fountain in is the center of the round about for Paseo del Prado and Paseo de la Castellana.

The resulting architecture varies greatly depending on the level of remodeling.  It seems that in the centro they try to just do interior remodeling, and preserve the original facade as best they can.  I don’t know if they have historic district ordinances or not, but the architecture that completely replaces buildings in the centro fit in pretty well.  As you get away from the centro the newer buildings often stand in great contrast to the older buildings on either side.  What would be a decent building on its own looks ugly and out of place amid the old ornate buildings in the block.  Sometimes the modern mixed with the old is quite handsome and works well.  For instance, on Gran Via, a major street in the centro that is lined with absolutely beautiful, ornate buildings, there is a modern all black glass building stuck between two really pretty buildings, obviously replacing a building that had to be torn down.  As you walk towards the building you think how odd, but then once you are right in front of it you realize all that black glass is reflecting the image of a stunningly beautiful old building across the street.  It is a very nice effect to have the image of the building on the side of the street you are on reflected between the other two beautiful buildings across the street from you.  I assumed this was planned, if not it’s a great coincident.

Next parks and open space…

Letters from Madrid – Museums

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From left to right: Marco and Francesca (visiting from Italy), Tristan, Laurie and me outside the Palace.

As I move from flamenco shows and the music scene to cover other areas of Madrid, I’m starting with my initial reactions to, and brief descriptions of, the Natural History Museum, Archaeology Museum and the Prado. We visited the Prado almost weekly and other art museums often. Most museums had free days, and we would go to those museums over and over on free days, so in future letters I will have more detailed descriptions of museums and exhibits.

 

April 18, 1996

Museums
We visited the natural history museum a few weeks back. It is pretty lame compared to what we have in Albuquerque. The first part of it is more of a history of natural science from the time when Carlos III dedicated the museum. The exhibits on this side of the building have animal specimens that are stuffed, mounted, dried, and bottled. There are books, notes, and letters about scientific principles, ideas, theories, and observations, along with examples of the tools and instruments used at the time. This stuff was fairly interesting. The rest of the exhibits on the north side of the building dealt with conservation and was not particularly new or interesting. We were about to suffocate in the enviro-better-feel-guilty-about-being-a-human theme when we made our escape over to the south side of the building where they had dinosaur bones, geologic and paleontologic exhibits. These we better, but still generally lame. The most interesting fossil was one of a dinosaur bird found in Spain. They had the fossil and a model of the bird. It was about the size of a robin with a beak full of teeth. All the other fossils were replicas of fossils and skeletons of dinosaurs that came from the U.S. and Argentina, of course. The exhibit on prehistoric man was good, which I would expect, since a lot of the remains of Neanderthals, Habilis, Erectus, and other early humans have been found in Spain. I think there are a few direct decedents of early man still walking the streets around here.

There is an excellent Archaeology Museum and a very good museum about the history of Madrid very near where we live. Spain has a great deal of historical treasures and just about every major civilization has been through and occupied Spain at one time or another. These museums are full of priceless artifacts and art works from prehistoric times through more recent times. There are also great art museums such as the Prado, the Reina Sofia and the Thyssen, plus a multitude of small art museums.

We go to the Prado almost every week end. It’s a good thing we looked at Goya’s paintings at the Prado the first few times we went. There is now a commemorative exhibit of his paintings celebrating 250 years since his birth that costs 1000 ptas/person to see, and the lines to get in are long. His black paintings done later in Goya’s life are interesting. These paintings are dark, loosely painted and powerful. They’re very expressionist and deal with mythology, religion, and war. There is one very modern painting of a dog buried up to his neck with the background painted like a sand dune. We also found the Bosch paintings. I figured Tristan would like Bosch since his paintings are so weird, with fantasy characters, landscapes and strange objects. Bosch was very disturbed from looking at his paintings. He has fantastic creatures, characters and scenes, that are full of action and layers of demented symbolism depicting the creation, earthly existence and hell. His explicit, lewd subject matter depicts a world view of the religious sect he belonged to. Nudity and sexual freedom are true to the creation, while marriage and clothing corrupt man and lead him to war and hell. Interesting world view for the 1600’s. Peter Brueghal the Elder depicted war as death winning. He also shows a very dim and demented view of life and grim depiction of war about 40 years after Bosch. Death’s army of skeletons are killing everyone, herding them into a coffin like structure that outputs more skeletons to join the war against humanity. Cities are on fire, men are hung on torture wheels, nailed through the head to trees and are being executed by skeletons. Death gets little resistance as his army sweeps over the land killing everything that lives. I’m glad not to have lived during the 1600’s, from these painters’ depictions of life.

 
Next architecture and planning…

 
Videos
Exposición: Goya en Madrid https://www.youtube.com/watch?v=PQi4O3fL1dk (English subtitles)

Hieronymus Bosch – Trittico del Giardino delle Delizie (spiegato ai truzzi) https://www.youtube.com/watch?v=DbXDmcVnAl8 (narration in Italian)

The Triumph of Death – Pieter Bruegel The Elder https://www.youtube.com/watch?v=kjhLgI3WsX8

 

Letters from Madrid – 5th Flamenco Show

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Laurie dancing Alegrías in one the dresses she designed and sewed herself.

Sara Baras didn’t leave much of an impression in the fourth flamenco show. Belen Maya was much more interesting, but singer El Chocolate made the show in the 5th and last flamenco show we saw during our first three months in Madrid.

April 18, 1996

Flamenco
The fifth show included Chocolate and had a more modern dancer, Belen Maya, who was much more interesting that Sara Baras, but had too few moves and became quickly boring. Chocalate was excellent, but the guitarist who accompanied him and the other featured singer was totally boring. The other featured singer is not worth mentioning, as he did nothing extraordinary. What was extraordinary is that Fosforito and the young guitarist sitting in for Enrique del Malchor were special guests again. They seemed to have worked things out, because they were both great. A total change from Tuesday night. The guitarist had toned down his playing a bit, smoothed it out, and set himself to accompanying the cante. I hope he realizes that, his attention to the cante, and playing a slight more reserved, and in a more tastful manner, brought it home to the audience what a fine guitarist he is. It could be that the first guitaist was so boring that the new sound, lightning fast scales, and quick changes seemed fresh and fun in compairosn, where as Tuesday, he seemed busy and overpowering after Paco Cepero masterful playing. On Tuesday, Fosforito and his guitarist got a cool reception from the audience; but this night, they excited the audience, bringing gritos and applause for the great playing and emotionally, heart rendered words pouring forth from Fosforito’s pained, squinting face.

For the next several posts of Letters from Madrid…, I’m going to turn from music for a little bit and get into my observations and reactions to museums, architecture and planning, parks and open space, public restrooms, driving and tourists during our first three months in Madrid!

 
Videos
CHOCOLATE-JUAN HABICHUELA-FANDANGOS https://www.youtube.com/watch?v=B_9Z2OAVaO0

Mayte Martín & Belén Maya during IV Dutch Flamenco Biennale – Amsterdam, 1 February 2013 https://www.youtube.com/watch?v=c1Yv9CBch5U

FOSFORITO Alegrías de Cádiz – Tesoros del Flamenco 1990  https://www.youtube.com/watch?v=hSpZjAzVqC0