Ultra-Wide

My new 17-40mm ƒ/4 ultra-wide angle zoom lens was delivered this afternoon, so I tried it out downtown (and on the rib roast I picked up on the way home tonight — we are having standing rib roast instead of turkey for Thanksgiving). The lens is sharp and has good edge to edge detail, even wide open at slow shutter speeds. The photo of Liz in Patrician Designs was shot at 17mm, ƒ/4 at 1/20 sec at ISO 100. Liz is a little soft because she was laughing, but the sharpness and depth-of-field is impressive. I bumped up the ISO to 400 when I photographed Megumi in Cafe Giuseppe (1/30 at ƒ/4). I photographed the mutual life building at ƒ/11 and One Up at ƒ/7.1.  The rib roast was a little more work. I used two flashes, one on the camera, the other in my hand. At 17mm, I was about 3 inches from the roast, so I had to use manual focus, hold the camera with one hand, while aiming the flash with the other (I was too lazy to get out a tripod, which would have made doing the photo much easier). The exposure was 1/160 at ƒ/5.6 ISO 400.

El Dia de los Muertos

We went to a live performance of “Rosencrantz and Guildenstern are Dead” last night (wonderful performance), then went to the Frontier Restaurant to eat and visit afterward, so we didn’t get home until almost midnight. Laurie reminded me that we set the clocks back an hour, so I set all our analog clocks to 11:20 thinking we were almost ready for bed. However, by the time I remember I needed to go outside and turn off the water to the drip system, did a kitty count, messed around on the computer some more, and finally herded the cats to the bedroom it was 12:20 again — I ended up staying up past midnight twice last night.

We went to the Marigold Parade and Festival as part of El Dia de los Muertos after choir practice this afternoon. The Marigold Parade was great fun and people from the various cultures in the Albuquerque area participated and showed off their creativity.

Classic Beauties

 

The smoke from the latest controlled burn has just about put me down for the count — I really have cold symptoms from it.  The lovely sisters work at Lindy’s Diner downtown. They were gracious enough to pose with the coke pump in the diner. The turquoise GMC pickup is a really well restored 60’s model and the Boulevard C50 T is a modern classic in turquoise as well.

 

 

Godess

I did a photo shoot for a handsome young couple’s engagement tonight on the river at the north end of Corrales. While I was waiting for the couple to arrive, another young couple skipping rocks on the river volunteered to pose for me so I could get my exposure and fill flash adjusted. On my way home, I stopped and got a photo of the fire on the Sandias at dusk.

Girls Dancing

I got a new Canon 70-200 mm ƒ/4 lens today, and had to try it out in different conditions to see how it performs. So far the results are pretty impressive.  While Laurie as at choir practice, I walked over the UNM to try out some night shots. I heard loud music playing and followed it out to Johnson field where a DJ was playing pop music and students were dancing. The young woman in the blue/green top was a superb dancer and really put herself into it. The umbrellas were at UNM tonight as well. During lunch I walked around downtown and got the rest of the photos in today’s post. The last photo of the “Anasazi” building that was never finished on the corner of 6th and Central is a collage made up of nine photos stitched together. Here is an interesting article by a couple guys who broke into the Anasazi building http://alibi.com/feature/42225/Crimes-of-the-Anasazi.html. So for the first photos with the new lens I have streets scenes in shadow and contrasty light, and a collage shot at ISO 100, then night shots and action photos on a lighted field shot at ISO 3200.  I would say the new lens is very flexible.

Pass the Hat

October is the birthday month for our family. We celebrated Laurie’s and her mom’s birthdays tonight, out on the the deck. Even though I had the outdoor heater running, it still got cold enough to pull out the jackets, fleece blankets and the hats. The nights have been cool enough for the vines to turn red and the cottonwoods to turn yellow. The long photo is of a volunteer cottonwood that came in with the ditch water, which is only about 8 years old. The fifth photo gives you one of our views of the layers of cottonwoods that we see from the house. A bee flew into the Zipper Spider’s web and the spider pounced on it and wrapped it in silk in seconds. The last two photos show the Zipper with her bee right after she wrapped in up and her in action fixing her web after the capturing the bee. She let it dangle on a strand of silk while she worked on her web, and then ate it for breakfast.

Beauties and Beasts

We went to the 24th Old Church Fine Arts Show at the Old San Ysidro Church in Corrales this afternoon. The show runs through October 14th, but our good friend and fellow photographer, Susan,  has a wonderful photo of a lily in the show, so we went to the opening. While looking at the paintings and photos, we got on the subject of manipulating photographs. There are many purists who think you should use photos how ever they come out of the camera. I’m of the opinion that if it calls for manipulation, manipulate the heck out of it!  The post processing is where a lot of the art comes into photography, especially digital photography, with all the great software that’s available. One can argue that it has more to do with a person skill at using the software — but I say that’s part of the art. After spending years in the darkroom, manipulating images with chemicals and dies, dodging, burning and using exotic films and papers to get various effects, I view the digital darkroom as much safer, more environmentally friendly avenue for manipulating images, and a whole lot more fun. So to celebrate the art of manipulating photos, I manipulated some of the photos I took of some of the beauties and beasts I encountered downtown on my way to and from the Man’s Hat Shop at lunchtime today.