France Day 22 Virtuosity on Parade

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In the afternoon we walked to the Cathédrale Sainte Croix des Aemeniens about 3 km east of our apartment to attend three recitals. Along the way we saw a lot of interesting triangular buildings, some women on a building holding up a balcony, and we walked through a large flea market before we got to the church. The church was old and not in the best repair, but the acoustics were phenomenal. The first recital was Youn Soon Lee on piano. She played Beethoven so well her playing was like listening to an orchestra. The pieces she played were light and showy with lots of flashy runs and arpeggios that she would build up, pull down, build up, pull down and build up again until she brought the pieces to their explosive climaxes. Ms Lee’s performance was magnificent.

After the first recital we walked down to a restaurant/bar and got coffee before the next recital. The area we were in had a lot of art studios and private art galleries, the bars were filled with people, and the streets bustled with people walking, riding bikes and navigating cars through the crowds making their way to and from the flea market.

I didn’t think we could hear much better than Ms. Lee’s performance, but Miran Dévétak’s interpretation of List and Fauré was nothing short of phenomenal. List was heavy, complex and melodic, punctuated with fits of quick runs and dynamic, loud sets of chords. Fauré was a little lighter with a modern (1900sh) rhythm, and very quick, complex fingerings that Mr. Dévétak executed flawlessly.

The third recital was a violin/piano duet by Eun Bi Gang on violin and Jean Dube on piano. They were also fantastic performers. Ms Gang started by doing a solo of Martinon Sonatine No 5 op 32. The piece had some amazing secondary rhythms that she played under the melody, which was really remarkable. Mr. Dube accompanied her on the piano on Bach’s Sonate 2 Andante, Mozart Concerto No 5 1st Movement and Tchaikovsky’s Concerto op 35 1st movement.

On our way to Notre Dame in the morning, we came across a bird market that had cages and cages of small parrots, parakeets and finches. While I was photographing flowers (the poppies were huge) and roses in the garden behind Notre Dame, I came across an early bird getting worms.

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France Day 20 The Louvre

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If you want to see a nice, close-up view of the Mona Lisa, look her up on-line or in an art book, because you can’t get a good look at her at the Louvre.

The Louvre has a current exhibit of a large-scale series of installations, encounters, theater performances and public activities by Italian artist Michelangelo Pistoletto (1933, Biella). The exhibit is titled Year 1: Earthly Paradise, and it marks “the transition into the new era of human, social, and cultural metamorphosis that was celebrated all over the world… The exhibition embodies three different time frames: the past, in the context of a retrospective; the present seen in the mirror works reflecting the visitors; and the future in a great obelisk topped with a triple loop, a symbol of this ongoing revolution. Thus the sign of the “third paradise” adorns the pyramid… Spirituality, figuration, the breaking down of boundaries between the arts, social solidarity, and the merging of life and art: these are the themes permeating the thinking of Michelangelo Pistoletto…”

Every other photo in this set of photos is a photo of a Pistoletto installation. Most of these are from the mirror installations, but there were video installations where we were live in the video along with all the recorded video. One installation was neon in different languages in the medieval part of the Louvre and the last installation we saw was a room of mirrors. I also included a shot of Laurie in the tiny elevator in our building as it fit well with Pistoletto’s idea of past and present.

If you haven’t figured out that the Louvre is crowded, it is. It’s very difficult to get a photo of a painting without visitors in it, except for occasional breaks in the crowd and photographing ceilings. So I just view the crowd as part of the art experience.

We went to Handel’s opera Guilio Caesare last night. The orchestra used instruments from the period, which blended particularly well with the voices; the sets were monumental; the performers were fantastic. We were in a box seat slightly to the right of center stage on the first mezzanine level with 5 other people. The theater was packed. We arrived 40 minutes early, which allowed me to get some photos of the interior of the theater with my iPhone (last photo).

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Hey Jude

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On my way to class on Friday, the young man with the guitar was sitting alone playing and singing at the to of his lungs, and not very well. As I walked by after class, the blonde with the harmonica had joined him in performing a horrible rendition of “Hey Jude” (to be fair, only the singing was really bad, but not terribly objectionable for some reason). They were so involved in the song they didn’t noticed that I had stopped to photograph them, and they were doing the song so badly, they bordered on performance art. As I continued on my way, the guitarist started singing “nah nah nah nana nah nah…” so off key, and out of compas, that I burst out laughing and laughed all the way back to the office.

I took a load of trash to the dump today. I left early and got up to the entrance I’d always turned into and there were no other cars. “Nice!” I thought to myself. As I drove up to the building to pay, the attendant came out and said “The dump entrance is up the road before the light — this is recycling.” He told me to drive straight ahead and follow the road around. I followed the road through about twenty people eagerly waiting for stuff to recycle — they looked disappointed when I drove on by. I got back out on the main road, drove up toward the light, and found a long line of trucks waiting to get into the landfill. Forty-five minutes later I discovered I was in the line for the scale, but I couldn’t change lanes, so I drove onto the scale, walked up to the window and told the attendant that I didn’t need to be weighed. She said “that’s okay, but the people behind you will be mad when they see you turn the other way!” She asked for my license plate number, my proof of residence in Corrales, and driver’s license, then when I went to give her a $5 bill to pay the $4.75 fee, she told me it was a “free day!” “So that accounts for the long line of trucks them?” I asked. She nodded “Yep!” and told me the line would probably go down to the roundabout by noon. If I’d known it was a “free day” I wouldn’t have gone. I would have preferred to pay $4.75 to dump the trash then spend an extra 45 minutes waiting in line to dump the trash. I took the photo of the Sandias on the way home from the dump.

 

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Downtown Drive-by

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A costumed crowd was gathered outside the Kimo Theater. I wanted to park and get photos but there were no parking spots available, so I swung around the block and did a drive-by photo at about 10 mph. The sunset was beautiful, but my best opportunity of getting a photo of it was a drive-by at 80 mph on I-40.

 

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Easter Sunday in B&W

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The Easter Services at CUMC were beautiful, with the young people acting out the resurrection narrative, a live bunny at the children’s sermon, fantastic music by the Chancel Choir and a wonderful Sermon by Reverend Scott Sharp.

 

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Great Getting

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The “Great Getting’ Up Mournin’ celebration” with the CUMC Chancel Choir and Fellowship Baptist Unity Choir was fantastic. Jazz a la Carte played Dixieland Jazz before the service, between sets and after the service, and they were very enternaining. Pastor Scott Sharp (CUMC) and Pastor Dennis Dunn (FBUC) both delivered short, but inspiring sermons. The music, choirs, musicians and congregation were very lively. It was a great service and moving experience.

I’ve been looking for a second full-frame Canon body, but new Canon full frame bodies are expensive, so I started looking at used bodies. I saw a Canon 1Ds advertised on Amazon as “Like New, little use” for $650 with no other description. I emailed the seller and asked what it came with and the shutter count. Canon 1D bodies are the hard core professional bodies that start new for $6000 and run up to over $8000 depending on the model. Normally used 1D bodies with low shutter counts are priced higher than 5D and new 6D. 1D bodies in the $600 range usually have very high shutter counts (80,000+), and are normally very well used.

The seller emailed back and said the camera came with all the original accessories, in the original box, and that the shutter count was 1846. My 5d that is only a year old is ready to turn over 20,000 clicks on the shutter. I ordered the camera and it arrived on Friday, and it is really “like new”, so it was “great getting” on my part.

All the photos, except for the photos I took of the camera sitting among Laurie’s cookies, were taken with the 1Ds. The sky was overcast and very bright when I took the outdoor photos, so it was a good challenge for the metering system. The auto focus is fast and accurate and it focused on black (Rosencrantz) immediately without searching like the 5D. The shutter is much quieter  than the 5D and is super quick and responsive. All the photos are  how they came straight out of the camera with little manipulation (of course, the panorama of the sanctuary was stitched together). The service tonight was a good test for indoors, under low light. While it focuses in the shadows very well, I discovered the autofocus searches on bright white, so it’s not perfect.

I got a photo of the first butterfly of the season, and it looked pretty ragged, so it either wintered over locally or migrated. One of the peach trees is blooming, as are the wild plums, and the honey bees are enjoying them.

After the service, we gathered in the ‘Life Center” for fellowship and cookies. The couple in the last photo asked me to take their picture. They are a handsome couple, and my first portrait with the 1Ds. I put on the super-wide angle lens and got a photo of the trombonist in the jazz band with his “le long trombone!”

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Tenebrae

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The Tenebrae service at Central United Methodist Church last night was beautiful and moving. Tonight is the “Great Getting’ Up Mournin’ celebration” with the Chancel Choir and a Baptist Gospel Choir. It’s supposed to be fantastic and not to be missed. The celebration is at 7:00 pm, 201 University Blvd NE. 243-7834.

 

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Palm Sunday

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I photographed all three services for Palm Sunday, but with everything else I had to do, I didn’t get start looking at the photos until late, so I processed a few of the more abstract photos that represented the story. One of the boys played shadow guitar in the play.

 

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Holy Moses

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I had my day all planned out — go to the second service, get material on the way home to finish the door, do more watering, herd cats — or so I thought. After the service, which had a wonderful liturgical dance to “Moses”, Jerri asked me if I had gone to their concert at Keller Hall last night and photographed it — I hadn’t, so she asked me if I could photograph the concert this afternoon. The concert was great. A mixed Choir, with the  Symphony Orchestra of Albuquerque, performed the Easter selections from Handel’s Messiah, then the SOA played Brahms’ “Academic Festival Overture” and Camille Saint-Saens’ “Piano Concerto No. 2 in G Minor,” with Natalia Tikhovidova on piano. Ms Tikhovidova is a phenomenal pianist and the “Piano Concerto…” was very lively and showy. The SOA and choirs will do another performance on March 17, 2013, 2:00 pm at John XXIII Catholic Community, 4831 Tramway Ridge, NE.

I started out the photo session standing with the choir in the beginning of the concert, so I got a super-wide angle photo from the choir’s/orchestra’s point-of-view, with the audience in the pews.  The percussionists were fun to watch because they followed their music with such intensity — there were times they played only one or two notes, so they obviously didn’t want to miss them.

Although I had to lay aside my well-laid plans for the day, the concert was well worth it.

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