France Day 21 Where’s Henco?

WheresHenco

We went to an organ recital at Notre Dame by Henco De Berg last night. Notre Dame’s organ is the most famous pipe organ in the world, according to the handout. Mr. De Berg played pieces by Charles -Marie Widor (1844-1937), François Couperin (1668-1733), Olivier Messiaen (1908-1992) and then he played an improvisation on 2 gregorian themes. Several people in the audience couldn’t take the heavy, modern pieces and improvisation, but I found them interesting a quite fun to listen to. There were a lot of sustained, very low and dissonant chords, but when I closed my eyes, I could hear the other notes played under the sustained cords and there was a slight stereo effect as the higher notes swept back and from one side of the pipes to the other. Since the organ sits about 30 feet about the floor, the organist is quite anonymous. Even when he stood to acknowledge the applause, you could hardly see him in the low light against the background of the organ.

Before we went into the recital,  I got a photo of one of the roses blooming behind Notre Dame.

On our way back to the apartment,the sun was low and very orange over the Seine, and it cast a soft orange light on the town hall that complemented the orange turf they had in front of the building. The bicycles in the fifth photo are all over Paris in what they call “Stations Velib'”. The city is promoting use of these bikes to help reduce pollution. There is a central pay station that allows you to get a bike. The first 1/2 hour is free, then it costs 1 Euro per 1/2 hour with a max of 4 Euros for 4 hours or more. There are 24 Stations Velib’ in our arrondissement.

Laurie wanted to take a different route home, so we walked up to the Pompidou center and headed west towards Opera. We walked by some modern buildings and a site where a giant shopping center is under construction. There were a lot of young people getting ready to party, others were just hanging around, while others were skateboarding at a fountain. Among the many activities along the way police argued with a group of young men, people who looked down and out walked around collecting stuff off the street, other groups of people off in doorways argued and yelled at each other — activities that made it seem like it wasn’t the safest area to be in at 10:00 pm — so we dropped down to a main street that took us back by the Louvre and connected with Opera.

We got out first thing this morning and walked back to Notre Dame to attend the 8:30 service. On the way back the apartment we popped into a couple of churches and listened to the music for a few minutes. We dropped into Eglise Saint Germain l’Auxerrois during the offertory, and the organist played a fantastic piece that sounded heavenly. Then we stopped in L’Oratoire du Louvre, which turned out to be a Protestant church that goes back to 1611. They were finishing a baptism and then a guy sang a solo accompanied by the organ.

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France Day 8 Aix Water Bells

WaterBells

 

We went to the service as St. Jean de Malte this morning. It was a beautiful service with two infant baptisms and other people doing their first communion. The baptisms were different from the Methodist tradition in that the babies were presented naked and immersed in a big copper caldron of water three times and then dressed with little white shirt and either water or oil put on their heads. The choral music was great and the pipe organ was wonderful.  We walked around Aix after church, talked to an Australian for a while and then went back to the house where we are staying, and I took a photo of the view from our walk to and from Aix. After we got home, I helped our hostess build a chicken coop, which looks more like a chalet than what we’ve used for chicken coops in the past. Then we went to cooking class in the evening, learned to make quiche, ate it and got home late again. We have to get up early to go to Marseille.

 

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Hey Jude

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On my way to class on Friday, the young man with the guitar was sitting alone playing and singing at the to of his lungs, and not very well. As I walked by after class, the blonde with the harmonica had joined him in performing a horrible rendition of “Hey Jude” (to be fair, only the singing was really bad, but not terribly objectionable for some reason). They were so involved in the song they didn’t noticed that I had stopped to photograph them, and they were doing the song so badly, they bordered on performance art. As I continued on my way, the guitarist started singing “nah nah nah nana nah nah…” so off key, and out of compas, that I burst out laughing and laughed all the way back to the office.

I took a load of trash to the dump today. I left early and got up to the entrance I’d always turned into and there were no other cars. “Nice!” I thought to myself. As I drove up to the building to pay, the attendant came out and said “The dump entrance is up the road before the light — this is recycling.” He told me to drive straight ahead and follow the road around. I followed the road through about twenty people eagerly waiting for stuff to recycle — they looked disappointed when I drove on by. I got back out on the main road, drove up toward the light, and found a long line of trucks waiting to get into the landfill. Forty-five minutes later I discovered I was in the line for the scale, but I couldn’t change lanes, so I drove onto the scale, walked up to the window and told the attendant that I didn’t need to be weighed. She said “that’s okay, but the people behind you will be mad when they see you turn the other way!” She asked for my license plate number, my proof of residence in Corrales, and driver’s license, then when I went to give her a $5 bill to pay the $4.75 fee, she told me it was a “free day!” “So that accounts for the long line of trucks them?” I asked. She nodded “Yep!” and told me the line would probably go down to the roundabout by noon. If I’d known it was a “free day” I wouldn’t have gone. I would have preferred to pay $4.75 to dump the trash then spend an extra 45 minutes waiting in line to dump the trash. I took the photo of the Sandias on the way home from the dump.

 

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Holy Moses

Moses

I had my day all planned out — go to the second service, get material on the way home to finish the door, do more watering, herd cats — or so I thought. After the service, which had a wonderful liturgical dance to “Moses”, Jerri asked me if I had gone to their concert at Keller Hall last night and photographed it — I hadn’t, so she asked me if I could photograph the concert this afternoon. The concert was great. A mixed Choir, with the  Symphony Orchestra of Albuquerque, performed the Easter selections from Handel’s Messiah, then the SOA played Brahms’ “Academic Festival Overture” and Camille Saint-Saens’ “Piano Concerto No. 2 in G Minor,” with Natalia Tikhovidova on piano. Ms Tikhovidova is a phenomenal pianist and the “Piano Concerto…” was very lively and showy. The SOA and choirs will do another performance on March 17, 2013, 2:00 pm at John XXIII Catholic Community, 4831 Tramway Ridge, NE.

I started out the photo session standing with the choir in the beginning of the concert, so I got a super-wide angle photo from the choir’s/orchestra’s point-of-view, with the audience in the pews.  The percussionists were fun to watch because they followed their music with such intensity — there were times they played only one or two notes, so they obviously didn’t want to miss them.

Although I had to lay aside my well-laid plans for the day, the concert was well worth it.

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Percussionists

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Pipes

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I was studying for the French test tomorrow while listening to the choir rehearse Messiah pieces with the Symphony Orchestra of Albuquerque at Heights Cumberland Presbyterian Church. On the way home I started thinking about what kind of effect studying while under the influence of Handel might have. Let’s say there’s a question like “Why did the south lose the Albigensian Crusade?” I could answer “They were like sheep!”  and that answer would be correct.

The Choir and SOA are performing selected pieces from Handel’s Messiah this Saturday, March 9  at 7:00 pm at Keller Hall at UNM and Sunday, March 10 at 2:00 pm at Eastern Hills Baptist, 3100 Morris St NE.

 

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White Girls

 

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Coheed & Cambria, Between The Buried & Me and Russian Circles played tonight at the Sunshine Theater, and these white mannequins were among the gear in the staging area behind the theater.

 

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Opening Night

Wedding Singer Robbie & Julia
Logan Mitchell as Robbie Hart & Devon Frieder as Julia Sullivan

 

We went to the opening night of The Wedding Singer directed and choreographed by Devon Frieder. The show was fantastic, and I would encourage anyone living in the greater Albuquerque area to go and see it. The show dates and times, ticket prices and the location are available on my Happy New Year post.

The show is at the Musical Theatre Southwest Black Box Performance Space, which is a small, intimate theater where the performance space is larger than the space allocated for seating (about 100 seats), which gives the allusion that the number of performers are about equal to the audience members.  When the full cast is on stage dancing and singing the intimacy, activity, variety of colors and the performers expressions are so exciting that it all becomes almost overwhelming trying to decide who to watch — you can’t take it all in at once like you can in a larger theater.

The story is about Robbie Hart, a singer/song writer, who plays for weddings with his friends Sammy and George. Julia Sullivan is a waitress who becomes engaged to a successful broker, Glen Guglia, but she and Robbie fall in love and everything seems to go wrong for them becoming a couple.

The music and choreography are fun and were delightful to listen to and watch. The comic lines are delivered flawlessly, and the acting was superb. Most of the cast play multiple characters and they play them well. They wouldn’t have had to name the stars and famous people they portrayed, as even I, the no TV, cultural misfit that I am, recognized all of them.  Although I don’t usually care much for musicals, I throughly enjoyed the performance, was taken in by the story and characters, and I even fell for the romance and wanted to see Robbie and Julia get together and be happy in the end.

 

Wedding Singer George & Rosie
Rikki Carroll as Rosie & Bryan Daniels as George

 

Wedding Singer Holly Sammy Glen
Amy Burgen as Holly, Gus Spencer as Sammy & Erik Joshua Clack as Glen Guglia

 

 

Happy New Year

Geese in Last Sunset of 2012

2012 ended with a beautiful sunset. Laurie walked by the window and said “Oh! The base of the Sandias are on fire!” I grabbed my camera and made the 1/4 mile dash to the river bank just in time to get the red as it faded with the last sunlight of 2012. As I walked out of the bosque, the last sunset of 2012 was quite dramatic, as was the morning light offering beauty and promise for 2013.

I start the new year with my 600th consecutive post on WordPress, and 908th consecutive post since I started on CaringBridge in July of 2010. According to WordPress’s annual report, I had over 10,000 views in 2012 from people in 83 countries, — the US, the Netherlands, the UK, Canada and Russia were the top five. Thank you all for a great 2012 and I look forward to an even better 2013.

One of the first things you can put on your calendars for 2013 is the musical comedy, The Wedding Singer, presented by Devon Frieder and Warehouse 21 Productions. It starts this Friday, January 4th, and will run for two consecutive weekends. The show is directed and choreographed by Devon Frieder, with musical direction by Erik Joshua Clack. The Wedding Singer is based on the book by Chad Beguelin and Tim Herlihy with music and lyrics by Matthew Sklar and Chad Beguelin.

The shows will be presented at the Musical Theatre Southwest Black Box Performance Space, 6320 Domingo Rd. NE Ste. B, Albuquerque, NM 87108 (Central & San Pedro by the Fairgrounds). Show dates and times are:

Friday, January 4 at 7pm
Saturday, January 5 at 2pm & 7pm
Sunday, January 6 at 4pm

Friday, January 11 at 7pm
Saturday, January 12 at 2pm & 7pm Sunday,
January 13 at 4pm

Admission: $15 Adults, $12 Students. Special Front Row VIP Seats for $25.

To Reserve Tickets in Advance, Call (505)-216-6014

The last five photos are from a promotional photo shoot I did for the show last week, and Three Guys and a Guitar I posted on December 28, 2012 was one of the photos from the session. From the 10 minutes of rehearsal I saw before the shoot, and my interactions with Devon and the cast, The Wedding Singer looks like it will be a fun-filled production with lots of music and dance, and a friendly cast of whacky, colorful characters.

Final Pink of 2012

Last light of 2012
Last light of 2012
New Light for 2013
New Light for 2013

Devon Frieder  with cast of WeddingSinger

Devon Frieder, Bride's Maids and Guitar Guy

Wedding Singer cast

Guitar Guy with Bride's Maids

Devon directing cast