One of the parodies I never published is called The Sound of Coffee Grinding based on The Sound of Silence by Simon & Garfunkle. I don’t remember what inspired the parody. I was obviously grinding coffee, which I do every day. Twisted minds never rest and the strangest ideas for parodies are always presenting themselves.
While writing the lyrics I imagined a hyper-version of the song like when you are wound up on coffee. The first recording I did was a hyper arrangement loosely based on the original music. Since the idea for the parody was a bit out there, to begin with, the hyper version ended up being a bit echoey.
I tried singing my parody lyrics to the traditional music for The Sound of Silence. It was really bloody awful. I asked Teagan at Teagan’s Books if she wanted to take a stab at singing The Sound of Coffee Grinding. I sent her the music and she did a wonderful take on the traditional version of the music. Teagan imaged that I make a back and forth duet out of it, but my vocals didn’t really work, and far as I am concerned my voice detracts from Teagan’s beautiful, sultry voice.
She didn’t want to attempt the hyper version. I can’t blame her. There is only so much of a twisted mind’s parody a sane person is willing to tackle.
I’ve included both versions below. The first is the traditional version with Teagan’s Vocals. The second is the hyper version with my vocals.
The Sound of Coffee Grinding (Traditional)
Parody Lyrics by Timothy Price. Vocals by Teagan Riordain Geneviene. Music by Simon & Garfunkle.
The Sound of Coffee Grinding (Hyper)
Parody Lyrics by Timothy Price. Vocals by Timothy Price. Arrangement by Timothy Price. Guitars, Bass, Percussion by Timothy Price. Original music by Simon & Garfunkle.
You might recall the PRS (Paul Reed Smith) style guitar that I have been building for over a month? It was featured with Marble in Gata Y Blanca with a primer coat, and then again with Marble in She’s Blue with the first blue coat. Now you see the finished guitar is a Super Chief PRS. It was an experiment to see if I could get the skin of the Super Chief locomotive I used on my Train Teles, to fit on the arched and sculpted PRS style body. It worked out pretty well. The arched top really pops the Super Chief Locomotive. I used different style Zia symbols in the design and added a Zia on the headstock as well.
Finally. Here is the Marble guitar with a sketch of Marble by Laurie on the body. I used a semi-hollow Telecaster style body with two Humbucker pickups. I put a Telecaster neck with a fancy vine inlay. I was holding Marble when Laurie made the sketch. Multiple images of the sketch turned various ways worked well. The music in the video is me playing the rhythm and lead guitar parts on the Marble Guitar. There are no effects on the rhythm guitar and only echo on the lead guitar. I did not use a virtual amp for either the rhythm or lead guitars. I simply played straight into the computer while recording. Therefore, what you hear is what the guitar sounds like with no special processing other than the echo on the lead. The percussion and bass in the song are the same tracks I used for the RGX One-Eye, the Les Paul One-Eye, and the Tumultuous Strat.
Spunk was helping me update Acronymphomania for YouTube. The kittens were watching as old cranky Spunk walked through the bathroom into the bedroom. Gwendolyn is having a good time playing with her tail on the bed.
The music is played on the second guitar I made with a One-Eyed woman by Resa. I used a Les Paul style with two P90 pickups for this guitar. It looks great, sounds great, feels great, and plays really well.
Glenda and Gwendolyn are 16 weeks old now. They had a ride to the vet this morning to get the booster shots. They are pretty good passengers knowing what cool cats they are riding in a Mazda MX-5.
The latest video of the kittens is accompanied by me playing the guitar I finally finished with a painting named Tumultuous by Tiffany Arp-Daleo on the body and headstock. I’ve been working on this guitar for about three months.
I used a Strat-style body with two colorful Humbucker pickups instead of the three single-coil pickups common to Strat-style guitars. I wired the pickups with a five-way switch. The top, first position on the switch in the neck pickup (both coils). The second position is a single-coil of the two coils in the neck pickup. The middle (third) position is both pickups together with all four coils. The fourth position is a single coil of the bridge pickup, and the bottom (fifth) position is both coils of the bridge pickup.
I got some nice, interesting sounds out of the guitar in the audio recording below. I used the same bass and drum tracks with different effects than I used for the recording in the video. The photos below show the guitar, the body, and a closeup of Tiffany’s signature.
The video starts out with Silver and Spunk. Silver expressed his opinion of the kittens. The guitar I played for the music is Resa’s One-Eye RGX style guitar I built using a beautiful one-eyed drawing by Resa.
We also decided Morgana, the name given by the kitten’s foster mom, really didn’t fit her, so we changed Morgana’s name to Gwendolyn. Now we have Glenda and Gwendolyn. Gwendolyn is still a good medieval name and seems to be a more fitting name.
While I was standing on the sidewalk in front of the office talking to Jim, he noticed a moth on the front door. I picked it up and it sat on my arm fluttering its wings really fast. I did photos of the moth. In “Live View”, the wings fluttered in slow motion. I converted the “Live View” photos to gifs and then to video and put the above video together with guitar accompaniment. After the moth futtered on my arm for about a minute, it flew over to the wall by the door.
I recently put together three custom guitars: one with a painting by Tiffany Arp-Daleo, and two with One-Eye drawings by Resa. I finished Tiffany’s guitar and wired up, but then I decided I wanted to put a different neck on it. I’m still working on the neck, so I have not introduced Tiffany’s guitar. Resa’s […]