Tim TALK – Bloody Awful Interviews From The Black Bamboo

The Frumpy Man has started a new series called Tim TALKBloody Awful Interviews From The Black Bamboo. His first interview of one of the members of the AWB is bloody awful. AWB is a little slow and basically tries my ADHD. The interview is 10:27. I won’t be surprised if you can’t get through it, but it does have its moments. The best part for me is the original theme song played on AWB’s new multi-scale, 7 string guitar. AWB butchers his chord demonstration of what you can do with a 7th string. I borrowed his guitar and produced a decent theme song for the video.

If you can’t get through the video, the new guitar has a multi-scale fingerboard, which means it has fanned frets. The 7th string is tuned to B for my purposes, which gives me low C and D chords that are lower than open C and D chords on a 6 string guitar.

Sunrise

Sunset

It’s The Time Of The Season For…

…GREEN CHILE!!!

Back, left to right, front: green chile martini, green chile beer, green chile milk, green chile red wine, green chile margarita, green chile white wine, green chile coffee, green chile amaretto on the rocks.

I got our first sack of green chiles for the 2021 green chile season at Wagner’s Farm this afternoon. Anyone who has followed this blog for any time knows we eat green chile on almost everything. Chile is addictive and goes well with anything as you can see from the drinks above. I wrote and recorded The Capsiacin Club song in early 2019. I acquired the guitar and bass that I put the chile skins on at the same time. Ron Blood recorded a new bass line for the song and added his touches on mixing and mastering the recording. I made and first published the video in September 2019.

The Average White Boys celebrating back in September 2017 with the different green chile enhanced drinks in the photo above.

Flaming. Roasting. Roasted.

Four of the Average White Boys in 2017 after doing an all nighter putting up green chiles and drinking chile enhanced drinks.

Pealing. Pealed. Stemmed and de-seeded.

Bagged. Boxed. In the freezer with rats.

Guitars On The Wall

I hung a couple of art guitars I made on the the walls above my desk instead of photos. I found some really nice acrylic hangers that use the strap buttons to hang the guitars so the hangers are hardly noticeable.

Super Chief PRS-style Guitar

Resa’s One-Eyed Beauty RGX-style Guitar

The desk I built for our graphic artist

Trees in bloom in the patio at the new office building.

The conference room looking east through the single door. The walls are curved.

Conference room looking west through the double doors.

Sunset looking east.

Sunset looking west.

A Country Song

Spunk relaxing in on the deck rail this afternoon.

Two-Stepping To Nowhere

Music: Ron Blood & Joel Lewis. Arrangement: Joel Lewis. Rhythm Guitar: Joel Lewis. 2nd Guitar: Timothy Price. Bass: Timothy Price. Drums: Mark Simma.

Spunk: “NOOooooo! Not that stupid country song!!!”

Two-Stepping To Nowhere is a collaboration between Ron Blood, Joel Lewis, Mark Simma, and I. Ron sent Joel tracks with a bass line and Mark Simma’s drum track. Joel wanted to make a country song, so he slowed it down, which messed up the bass line, so he took out the bass. He recorded the rhythm tracks with the drum tracks playing a semi-hollow body Tele, if I remember correctly, and sent the song to Ron and me. I listened to the song, lyrics popped into my head, I wrote them down, went into the studio, added a vocal track, and sent the song with vocals back to Joel and Ron a couple of hours after Joel had sent the rhythm guitar and drum tracks. Later I added the twangy 2nd guitar playing my Black Tele, and a new bass line. It’s a really silly song, as you can see by Spunk’s reaction above. But it’s fun and funny. The lyrics are at the bottom of the post if you want to follow along.

Spunk taking over my lunch back before I got it packed this morning.

Spunk: “And YOU thing cat herding is really tough!”

Spunk: “Oh Gwedolyn! Did you really need to break wind?”

Silver planning his attack for after I turn out the lights.

A little before sunset tonight.

Two-Stepping To Nowhere
Music: Ron Blood & Joel Lewis
Arrangement: Joel Lewis
Rhythm Guitar: Joel Lewis
2nd Guitar: Timothy Price
Bass: Timothy Price
Drums: Mark Simma

I barfed on my cat today
He was pissed. It’s always the other way
I dragged myself out of bed
Stepped on cats trying to get them all fed
The life of a cat herder is really tough
No one ever seems to get enough

Chorus
It’s like trying to glide
Across the dance floor
When all you do is a slide
Two-Steppin’ to nowhere

I got myself made up and dandy
Going to go dancing and find some candy
A lovely chica got me out on the floor
She looked real nice she knew the score
But it was just my dumb luck
I drove my car, I had left my viagra in the pickup truck

Chorus
It’s like trying to glide
Across the dance floor
When all you do is a slide
Two-Steppin’ to nowhere

Out in the truck to do some shoppin’
The County station was down,
I had to listen to a dude named Chopin
It’s hard on a fella and his imaging
When the country chicas could hear
The wussy music he was listening to

Chorus
It’s like trying to glide
Across the dance floor
When all you do is a slide
Two-Steppin’ to nowhere

I barfed on my cat today
He was pissed. It’s always the other way
I dragged myself out of bed
Stepped on cats trying to get them all fed
The life of a cat herder is really tough
No one ever seems
No one ever seems
No one ever seems to get enough

Sunday’s Sound of Coffee Grinding

One of the parodies I never published is called The Sound of Coffee Grinding based on The Sound of Silence by Simon & Garfunkle. I don’t remember what inspired the parody. I was obviously grinding coffee, which I do every day. Twisted minds never rest and the strangest ideas for parodies are always presenting themselves.

While writing the lyrics I imagined a hyper-version of the song like when you are wound up on coffee. The first recording I did was a hyper arrangement loosely based on the original music. Since the idea for the parody was a bit out there, to begin with, the hyper version ended up being a bit echoey.

I tried singing my parody lyrics to the traditional music for The Sound of Silence. It was really bloody awful. I asked Teagan at Teagan’s Books if she wanted to take a stab at singing The Sound of Coffee Grinding. I sent her the music and she did a wonderful take on the traditional version of the music. Teagan imaged that I make a back and forth duet out of it, but my vocals didn’t really work, and far as I am concerned my voice detracts from Teagan’s beautiful, sultry voice.

She didn’t want to attempt the hyper version. I can’t blame her. There is only so much of a twisted mind’s parody a sane person is willing to tackle.

I’ve included both versions below. The first is the traditional version with Teagan’s Vocals. The second is the hyper version with my vocals.

The Sound of Coffee Grinding (Traditional)

Parody Lyrics by Timothy Price. Vocals by Teagan Riordain Geneviene. Music by Simon & Garfunkle. 

The Sound of Coffee Grinding (Hyper)

Parody Lyrics by Timothy Price. Vocals by Timothy Price. Arrangement by Timothy Price. Guitars, Bass, Percussion by Timothy Price. Original music by Simon & Garfunkle. 
Music graphics in the photo from http://clipart-library.com/ & http://www.clipartpanda.com/

Kittens Super Chief PRS

You might recall the PRS (Paul Reed Smith) style guitar that I have been building for over a month? It was featured with Marble in Gata Y Blanca with a primer coat, and then again with Marble in She’s Blue with the first blue coat. Now you see the finished guitar is a Super Chief PRS. It was an experiment to see if I could get the skin of the Super Chief locomotive I used on my Train Teles, to fit on the arched and sculpted PRS style body. It worked out pretty well. The arched top really pops the Super Chief Locomotive. I used different style Zia symbols in the design and added a Zia on the headstock as well.

The music I played on it in the above video is a kind of wild but seemed fitting for as much work as the guitar was to build. It plays pretty well but is not nearly as nice as Resa’s One-Eye Guitars (The Kittens, Spunk & the Kittens Tail), Tiffany’s Tumultuous (Tumultuous Kittens), Marble’s Tele (Marble Guitar), or the Train Teles (Whats on the Tele? I have two Train Teles. One is like Marble’s Tele).

Marble Guitar

Finally. Here is the Marble guitar with a sketch of Marble by Laurie on the body. I used a semi-hollow Telecaster style body with two Humbucker pickups. I put a Telecaster neck with a fancy vine inlay. I was holding Marble when Laurie made the sketch. Multiple images of the sketch turned various ways worked well. The music in the video is me playing the rhythm and lead guitar parts on the Marble Guitar. There are no effects on the rhythm guitar and only echo on the lead guitar. I did not use a virtual amp for either the rhythm or lead guitars. I simply played straight into the computer while recording. Therefore, what you hear is what the guitar sounds like with no special processing other than the echo on the lead. The percussion and bass in the song are the same tracks I used for the RGX One-Eye, the Les Paul One-Eye, and the Tumultuous Strat.