Wild, Wild Life

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In David Byrne’s movie “True Stories” there’s a music video to the song “Wild, Wild Life.” Chad’s gravity defying stunts and Liz’s jumps made me think of Wild, Wild Life. The problem with stunts in the limited space of our dance room/photo studio is that both Chad and Liz jumped so high that they got above where I was framing the photos in several shots.

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Liz & Chad, Chad & Liz

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One of our Christmas gifts to Liz and Chad was a photo shoot. The photo session happened this afternoon, and while it got quite wild with dancing, jumping, and gravity defying poses, I’m posting serious photos for a proper introduction. Liz is Laurie’s youngest sister and Chad is her husband. They were married in August.

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Liz

 

Chad

 

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Dinner with Santa

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If you are wondering where Santa was on the day before this Christmas eve, he was having dinner with Laurie, me and a group of friends and making kids worried as to why he was at El Patron’s eating with the likes of us instead of preparing gifts and tending to his reindeer and sleigh.

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Love on the Seine

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The sky was overcast and gray all day for solstice, which reminded me of Paris. Looking through my photos taken from a riverboat on our last day in Paris back in June, I noticed that there was lots of love along the Seine despite the gray sky and rain.

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Breakfast with Beaker

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Laurie has to share her cereal and coffee with Beaker most mornings. Guildenstern thinks we have things all wrong — “one should have birds for breakfast, not have breakfast with birds” he meows — but he knows Beaker and René are formidable adversaries and stays clear of both of them. René is slowly getting better at flying and I’m slowly getting better at sneaking in better lighting to catch him in flight.

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Paris Authentic

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Does anyone remember Marcel Duchamp’s found art? The urinal he simply signed “R. Mutt 1917” was discussed it my art, art history, photo and photo history classes when I was a geography/photography student some 30 years ago. We finally got to see it in person at the Pompidou Center in Paris in June. Even though this piece was quite popular among the art professors and art students at the university, I didn’t have to hold my camera above crowds of admiring people to get a photo of Duchamp’s porcelain masterpiece, as Laurie pointed out. I could actually touch it as there were no barriers around it, alarms to set off or even a guard in the room.

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So Much for the Opera

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I had to do major sneaking to get this photograph of the cutaway model of the opera in Paris. It was in a museum that strictly forbid photos, and there were guards everywhere to remind people not to take photos. First I had to wait for a break in the hordes of tourists marveling at the model, then I had to wait for the guard to get up and walk out of earshot of my shutter before I could sneak a pic. It took several tries over three different visits to the museum before I got a successful stealth photo of the model. One reason I wanted a photo of this model is because the box seats on the end of the first row of box seats was the box we sat in when we went to an opera at the end of May. The apartment we rented in Paris was a block from the Opera. The second photo was taken from the middle of the street by the apartment and the third photo is looking the other way toward the Louvre at the bottom of the street.

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