Ch-Ch-Ch-Ch-Charging

Ch-ch-ch-ch-charging (Back-in to get a boost)
Ch-ch-charging, need to be on that super source
Ch-ch-ch-ch-charging (I know I might be a bit off course)
Ch-ch-charging, to be charging near an Apple Store
It takes time to charge me
But I can charge fine

Spunk Art

“Sign, sign, everywhere a sign
Blockin’ out the scenery
Breakin’ my mind…” — Five Man Electrical Band

I had to drive into town today to go to the Apple Store to get my iPhone checked out. It’s been eight months or longer since I’ve needed to go to the Apple Store. The Face ID on my iPhone is not working most of the time now. After lots of diagnostics, it turns out the Face ID camera is on the fritz. I dropped the phone a few times in the three years I’ve had it. That probably contributed to the demise of the Face ID camera.

Whenever I go into town, I get culture shock. Most of the streets around the shopping centers in Uptown are torn up and blocked off, so traffic was snarled. Most of the parking lots were filled up, and people were waiting for spaces to open up. I always park in the far lot where few people park because most people are either in a hurry or too lazy to walk a few hundred yards. I pulled into the lot and discovered that the places I usually park are now taken up by Tesla superchargers.

Wañusqakunamanta

WARNING! You may find the above video’s music and content disturbing.

Wañusqakunamanta*
By Timothy Price

Sacrificed
To the gods
Drown in the madness of his name

Smell of the dead
And their sins
Of the dead and their sins
Of the dead and their sins

Take me, take me on a boat to see Arkos
I can’t feel the sea on Arkos

Embrace the truth
And shake us free
Make us free to rise in the end

Meet a person
Of great heart
In custody to persevere

But the devil’s in the way
Yes, the devil’s in the way
Why’s the devil’s in the way

He digs down to the core
To the flesh
And
To the bones

V for Venus

Cranes couldn’t care less

Osric Owl doesn’t give a hoot

Sandias @ the Beach

*Wañusqakunamanta is “Of the Dead” in Quechua. I have been working on the song for a long time. Originally named Weird DST, I wrote the song intending to use it for my 2024 Daylight Savings Time protest song. The idea behind the asynchronization between the metered drums and bass and the unmetered guitar was to simultaneously feel in and out of time. I tried to make the lyrics as strange as the music. I didn’t post it on DST this year because I didn’t finish it in time for the time change. Given the state of the election, I took another look at the song and decided I might as well use it to make a statement about the 2024 election.