Architecture
A costumed crowd was gathered outside the Kimo Theater. I wanted to park and get photos but there were no parking spots available, so I swung around the block and did a drive-by photo at about 10 mph. The sunset was beautiful, but my best opportunity of getting a photo of it was a drive-by at 80 mph on I-40.
Macro photography in low light at a high ISO gives interesting results as in the photo of the spider on the fancy daffodil. I got a couple more street scenes in downtown. Things I see every day will suddenly catch my attention when the light is right.
A pigeon flew over me as I walked out the my car, and a couple of police officers were harassing a guy outside the Gold Street Cafe for who knows what. The sunset on April Fool’s was beautiful.
The Easter Services at CUMC were beautiful, with the young people acting out the resurrection narrative, a live bunny at the children’s sermon, fantastic music by the Chancel Choir and a wonderful Sermon by Reverend Scott Sharp.
The “Great Getting’ Up Mournin’ celebration” with the CUMC Chancel Choir and Fellowship Baptist Unity Choir was fantastic. Jazz a la Carte played Dixieland Jazz before the service, between sets and after the service, and they were very enternaining. Pastor Scott Sharp (CUMC) and Pastor Dennis Dunn (FBUC) both delivered short, but inspiring sermons. The music, choirs, musicians and congregation were very lively. It was a great service and moving experience.
I’ve been looking for a second full-frame Canon body, but new Canon full frame bodies are expensive, so I started looking at used bodies. I saw a Canon 1Ds advertised on Amazon as “Like New, little use” for $650 with no other description. I emailed the seller and asked what it came with and the shutter count. Canon 1D bodies are the hard core professional bodies that start new for $6000 and run up to over $8000 depending on the model. Normally used 1D bodies with low shutter counts are priced higher than 5D and new 6D. 1D bodies in the $600 range usually have very high shutter counts (80,000+), and are normally very well used.
The seller emailed back and said the camera came with all the original accessories, in the original box, and that the shutter count was 1846. My 5d that is only a year old is ready to turn over 20,000 clicks on the shutter. I ordered the camera and it arrived on Friday, and it is really “like new”, so it was “great getting” on my part.
All the photos, except for the photos I took of the camera sitting among Laurie’s cookies, were taken with the 1Ds. The sky was overcast and very bright when I took the outdoor photos, so it was a good challenge for the metering system. The auto focus is fast and accurate and it focused on black (Rosencrantz) immediately without searching like the 5D. The shutter is much quieter than the 5D and is super quick and responsive. All the photos are how they came straight out of the camera with little manipulation (of course, the panorama of the sanctuary was stitched together). The service tonight was a good test for indoors, under low light. While it focuses in the shadows very well, I discovered the autofocus searches on bright white, so it’s not perfect.
I got a photo of the first butterfly of the season, and it looked pretty ragged, so it either wintered over locally or migrated. One of the peach trees is blooming, as are the wild plums, and the honey bees are enjoying them.
After the service, we gathered in the ‘Life Center” for fellowship and cookies. The couple in the last photo asked me to take their picture. They are a handsome couple, and my first portrait with the 1Ds. I put on the super-wide angle lens and got a photo of the trombonist in the jazz band with his “le long trombone!”
A couple of Harleys parked downtown and The Fusion Factory.
I had my day all planned out — go to the second service, get material on the way home to finish the door, do more watering, herd cats — or so I thought. After the service, which had a wonderful liturgical dance to “Moses”, Jerri asked me if I had gone to their concert at Keller Hall last night and photographed it — I hadn’t, so she asked me if I could photograph the concert this afternoon. The concert was great. A mixed Choir, with the Symphony Orchestra of Albuquerque, performed the Easter selections from Handel’s Messiah, then the SOA played Brahms’ “Academic Festival Overture” and Camille Saint-Saens’ “Piano Concerto No. 2 in G Minor,” with Natalia Tikhovidova on piano. Ms Tikhovidova is a phenomenal pianist and the “Piano Concerto…” was very lively and showy. The SOA and choirs will do another performance on March 17, 2013, 2:00 pm at John XXIII Catholic Community, 4831 Tramway Ridge, NE.
I started out the photo session standing with the choir in the beginning of the concert, so I got a super-wide angle photo from the choir’s/orchestra’s point-of-view, with the audience in the pews. The percussionists were fun to watch because they followed their music with such intensity — there were times they played only one or two notes, so they obviously didn’t want to miss them.
Although I had to lay aside my well-laid plans for the day, the concert was well worth it.
After doing the terminator yesterday, Bruski went for the Steven Seagal look today. The first photo will be Brucki’s new album cover. Now all we need to do is come up with some music.
Today is my 666th consecutive post since I moved to Word Press. The number 666 is dear to me because I woman once called me the Antichrist in a public meeting (I really, really made her mad). Later I used the same formula that Boris used in Tolstoy’s “War and Peace” to add up the numbers that corresponded to the letters in his name to see what they added up to, which turned out to be 666, making him think he was the Antichrist. Guess what? The numeric values of my full name also added up to 666. But it’s all for fun, as Nero was thought to be the Antichrist referred to in the Book of Revelations, and apparently, the Mark of the Beast could be 606 or 616, so all the superstition about 666 may all be for naught. The State of NM changed NM Highway 666 between Gallup and Shiprock to US Highway 491 a few years ago so they wouldn’t be mixing church and state.
So when Bruce and I were discussing what I should do for photos for this special post, he gave me the idea to google 666 Route 66. There are were actually four choices between SW, NW, SE and NE depending on which side on Central Avenue your on, east or west of the railroad tracks. East of the tracks was a hotel or the building the Baptist Convention used to be in. West of the tracks is El Rey Theater and a parking lot. If the Baptist Convention was still at 666 Route 66, that building would have been the photo of the day, but it’s a boring building and I have no history with it. So the El Rey got it. I go way back with the El Rey. When I was a kid I went to movies there, and about 20 years ago we went to see a band friend liked — the band sucked but our friend was entertaining. Around the same time, we went to a couple of salsa dances, performed flamenco, and we went to concert by Bela Fleck and the Flecktones at the El Rey. Bela Fleck was fantastic and he changed my opinion of the banjo forever. I still get mail from the Flecktones every now and then.
At lunchtime Bruce and I walked over to the El Rey Theater and he posed for me on the spot that would be 666 Route 66 SW. I used a super-wide angle lens, which made Bruce look a little like the Terminator, which was perfect. The we went around behind the building to find the back wall colorfully painted with an outline of the Virgin de Guadalupe on a back door — super! Then we photographed our way back to the office through the well painted and graffitied alleys.
The dance was really fun. We’ll have another dance the first Friday in April!
Off Center & Not Even 