Five @ Five

Marina’s Incognito Tree is back to being hard to see.

Gigi’s Tree with Laurie, moon and contrail

Glenda is on the right half under Sasha on the left. Then Gwendolyn, Spunk and Silver. Spunk’s tail is on my toes. Loki is on Laurie. Marble might have been under the covers with Laurie, but I can’t say for sure.

24ºF outside + 54ºF inside + 5:00 in the morning = 5 Cats on me and a tail on my toes. Hmmm! Tail on Toes would make a great name for a post-rock band. Tones on Tail was a great post-punk band.

Belafante enjoying himself in the mirror.

He’s gives himself kisses

Gwendolyn hanging over the edge of the counter, trying to maximize heat gain.

Sunset on the Sandias under clear skies

A few clouds down south

Blue Morning, Blue Frost

Marina’s Incognito Pear Tree at Sunrise surrounded by Rebeecca’s Black Bamboo.

Blue ice in abstractia

Have you ever had an urge to stick your tongue on a frosted pipe?

Spunk Marble and Jake. The first time Spunk and Marbled dared to stay in the same room with Jake for more and a few passing seconds.

Cranes in the field at sunset

The cranes flew over to the Rio Grande to roost.

NCC 1701 disguised as a cloud hovering over the Sandias at Sunset.

Fifteen

Looking east at Susan’s and Teagan’s Trees behind the snow-covered black bamboo.

We got four inches of wet, heavy snow last night that broke a lot of trees, causing power outages. We were without electricity for over 15 hours, and we still don’t have internet service. I’m using my phone as a hotspot for this post.

The snow laid Rebecca’s Black Bamboo down so we could see the trees behind the bamboo. I was out early, cutting up trees that had fallen across the road so people could get out and in.

Black bamboo laid flat by heavy snow

Panorama of the snow on the black bamboo. The black bamboo canes are up to 20 feet tall.

Resa’s Tree from looking over the flattened bamboo.

Snow and cloud-covered Sandias

Spunk Art

New Dawn

Dawn

What’s that old adage, “Red sky at morning shepherds take warning”?

We had light snow most of the day. Jake and I went for a long walk in the snow this afternoon. Jake loves the cold and wet.

We visited the cranes

The Tangle Heart Tree and fellow cottonwoods

“Are you going to eat that cheez, Glenda?” “Not with you staring at it like a crazed cheezhead, Sasha!”

You can sort of see the snow falling.

Shey’s Tree

Where’d the Sandias go?

Light snow in the headlights. Click to enlarge.

Da dynamic duo doing Duo — lingo, that is.

Late breaking news. The neighbor’s tree is on fire once again. The snow is bowing the tree’s branches into the powerline. Fortunately, it’s the highline, so there is less chance of it causing a power outage.

Looks a little like Christmas.

Only one fire crew is left watching the fire. The other firemen had to respond to more fires. Wet conditions should keep the fire from spreading further into the tree. The firemen will not attempt to extinguish the fire because they could be electrocuted.

Wañusqakunamanta

WARNING! You may find the above video’s music and content disturbing.

Wañusqakunamanta*
By Timothy Price

Sacrificed
To the gods
Drown in the madness of his name

Smell of the dead
And their sins
Of the dead and their sins
Of the dead and their sins

Take me, take me on a boat to see Arkos
I can’t feel the sea on Arkos

Embrace the truth
And shake us free
Make us free to rise in the end

Meet a person
Of great heart
In custody to persevere

But the devil’s in the way
Yes, the devil’s in the way
Why’s the devil’s in the way

He digs down to the core
To the flesh
And
To the bones

V for Venus

Cranes couldn’t care less

Osric Owl doesn’t give a hoot

Sandias @ the Beach

*Wañusqakunamanta is “Of the Dead” in Quechua. I have been working on the song for a long time. Originally named Weird DST, I wrote the song intending to use it for my 2024 Daylight Savings Time protest song. The idea behind the asynchronization between the metered drums and bass and the unmetered guitar was to simultaneously feel in and out of time. I tried to make the lyrics as strange as the music. I didn’t post it on DST this year because I didn’t finish it in time for the time change. Given the state of the election, I took another look at the song and decided I might as well use it to make a statement about the 2024 election.